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As a wife and mother, she is naturally not that young anymore. The strange thing is that her heart, wrapped in the materialistic worldly life, still stubbornly maintains the innocence and innocence of a girl. In real life, she is honest and humble, and is willing to play an inconspicuous role; in the spiritual world, she is fearful and confused, and would rather be a lone traveler exploring paths and trying to move forward. Surviving in the visible reality, encountering unsatisfactory people and affairs, and seeing unsatisfactory world phenomena, she feels tired and always has the desire to escape; while "living" in the invisible world, complaining about unreasonable favors and describing paradoxical embarrassments, she thinks that she is a moth and cannot fly willfully.

In the world of Chinese novels, Yang Hailin and his legendary novels have always attracted attention with their distinctive regional characteristics. The dozens of legendary novels included in this book were all written by the author in the past two years. They are the result of repeated screening by the author and basically reflect the highest level of creation and talent. His writing has a relaxed structure and wide-open plots, reflecting his confidence and introspection in short novels. The language pursues simplicity and strives to reflect complexity in simplicity. This stylistic restriction on the number of words gives him unlimited narrative space. Monsters with makeup and powder, gods, Buddhas, immortals, and even traffickers and foot soldiers leading carts and selling pulp are all the objects he depicts. With his understanding and passion for the lost culture, he uses modern thinking and pen and ink to recolor the memory and open the door of time for us. He is like a master with spectacles on his nose in an antique shop, unrolling a white silk scroll in front of you. Suddenly, vivid characters are surging in front of you, and he always looks unhurried, and the scroll in his hand can never be stretched out completely.

The author has won the Bing Xin Children's Book Award. Zhou Cang looks similar to Zhang Fei. His big bell-like eyes always look like he's about to start a fight at any moment. His unkempt beard can often scare the children he likes to cry. During the Three Kingdoms era, there were not only frequent wars, but also occasional beauty pageants similar to today's. Of course, Zhou Cang participated once. Originally, he might not get his turn in the beauty pageant, but a sudden incident changed everyone's view of him... "Zhou Cang is a Handsome Guy" is popular The reason, I think, may be that the author's writing style makes us full of freshness - he tries to use the eyes of fairy tales to look at the history that is gradually blurring before our eyes. This is different from the current "spoof", "joke" and "travel". It makes the heavy history warm and tangible.