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The activity of literary understanding is a process of free travel through the jungle of thoughts, and it is also a re-aesthetic creation based on the text. Based on theoretical resources such as philosophy, aesthetics, hermeneutics, culture, ethics, etc., This book conducts a systematic and in-depth exploration of the literary traces of the famous contemporary essayist Wang Chonglu for more than half a century. With the text as the axis and the "dialogue between history and aesthetics" as the latitude and longitude, the writer Prose collections from various periods are subjected to detailed aesthetic analysis and artistic summary, which not only traces the meaning of the text, but also provides an in-depth interpretation of the text. It strives to restore and outline an aesthetic map of Wang Chonglu's prose, so that mysterious aesthetic research and perceptual prose texts complement each other.

The stylistic form of Ci reached its aesthetic peak in the Song Dynasty, and as the fruit of theoretical exploration closely related to Ci, it also evolved from germination to development, enrichment to maturity, leaving a complete historical map. This book conducts a dialectical study of the poetry of the two Song dynasties from an aesthetic perspective, integrating history and logic. It uses modern literary theory to describe and interpret the representative texts of the poetry of the two Song dynasties. It also compares and corroborates the relevant viewpoints of Western aesthetics, and then gives value evaluations and makes corresponding theoretical inductions. It strives to put forward new aesthetic insights based on the unity of dialectical rationality and historical rationality, thus unifying history and logic, abstract and concrete methodologies.