Library

This book is a collection of academic essays on Lu Xun topics written by the author Yan Jingming in the past ten years. The important features are to use prose style to describe and comment on Lu Xun's spirit, thought, creation and life in detail, and strive to be vivid and vivid, without seeking to summarize the discussion; strive to have a novel perspective, rather than copy what others say; strive to have rich materials and take them from the original work, without making grand remarks. This book has a great role in popularizing Lu Xun's works, spirit and experience. It is also quite inspiring and suggestive for Lu Xun's academic research. Most of the articles in this book were published in important domestic literary magazines such as "People's Literature", "October", "Shanghai Literature", and "Modern Chinese Literature Research Series", and most of them were published in prose. A small number of these articles are included in various annual prose and essay selections.

As the most influential and important writer and thinker in modern China, Lu Xun created many immortal works that can be called classics. As Lu Xun's only collection of prose poems, "Wild Grass" has unique and profound imagery and cold and steep language. It embodies Mr. Lu Xun's unremitting ideological exploration process and is also an important way to interpret Mr. Lu Xun's thoughts. Lu Xun once said that his whole life's philosophy is in "Weeds". "The Arrow is Leaving the String - A Panoramic View of "Wild Grass"" is based on Mr. Lu Xun's "Wild Grass" and provides a more in-depth reinterpretation of his prose poetry collection in the form of essays. The whole book is divided into three parts: "Wild Grass" ability examination, "Wild Grass" artistic theory, and "Wild Grass" publication history. It conducts a more complete discussion on the context, connotation and extension of the creation of "Wild Grass", and leads readers into Lu Xun's inner world in a more popular way. It is an important academic theoretical prose essay for understanding Lu Xun and his works.

Chen Xiying was not a very prominent figure in the May 4th New Culture and New Literature movements. However, in the mid-1920s, Chen Xiying was the most prominent controversial opponent in Lu Xun's writings. During 1925, most of Lu Xun's essays were related to Chen Xiying. "Hua Gai Ji" and its "Sequel" are the epitome of this debate. The year 1925 occupies a very important position in Lu Xun's life. There are many interesting things about Lu Xun's social activities, literary creation, and personal life in this year. The ups and downs of 1925 had a profound impact on Lu Xun's life. Chen Xiying appeared in Lu Xun's field of vision at such a time, and naturally became an important figure that cannot be ignored when studying Lu Xun in this period. In a documentary + commentary style, this book restores the 1925 debate between Lu Xun and Chen Xiying as much as possible, and carefully observes it under a microscope to analyze its causes, the reasons why Lu Xun did not flinch or even pursued and fought fiercely, the mentality and stance of many people who tried to stop the conflict, and especially the impact of this debate on Lu Xun's essays and new literature. No matter from which angle you look at it, Lu Xun in 1925 appears to be so meaningful. Lu Xun's thoughts, emotions, literary creations and social activities were all condensed in this year, giving rise to many stories that future generations will never tell or tell.