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Growing up is really painful, the price paid is too high, sometimes I don't know whether to stop or keep going!

This book is a series of essays by contemporary famous writers: The scenery in the heart includes: the warmth of the American sky; the shock of glory; vaguely clear dreams; feeling lost in Vienna; the "golden ring" of Vienna; the elegance there humiliated me; my hometown near the equator; a date by the Rajang River; the festival of the "longhouse"; the revelation of Hong Kong; the foothills of Cameron Mountain ; The blessing of the "fruit knife"; the greenery of Victoria's seaside; the charm of Hong Kong at night; the night view of Hong Kong from the Victoria Peak; the indescribable West Lake; the touching feeling of Shaoxing; the deep hinterland of the Central Plains; looking for the Rain Flower Terrace; the disappearing sound of oar lights; the topic of Beijing's city wall; the obscured scenery; the posters on the phone booths; the lost hometown; the Chongwu Peninsula.

The content of this book generally revolves around thinking about culture and literature and art at the end of the century. The title "Message of the Century" was thought up by the publisher because the name was a bit "old" and the author did not want to start "aging" just yet. In terms of seniority, but if you look at it in another sense, it is a message from a "century", not a message from a "person" in this century. In this way, I feel relieved. This century's "message" is for latecomers.

Weiming Lake is an emerald embedded in Yanyuan. Surrounding the lake are weeping willows, willow-shaded paths, tower shadows whirling, and ripples of light. Looking at the lake under the moonlight, it is as quiet as a sleepy virgin, and the shadows of flowers in the breeze are like a cup of spring mash.

Xie Mian is a professor in the Chinese Department of Peking University, a doctoral supervisor, and a banner of new Chinese poetry. The author of this book reviews his stormy life and expounds his experience in learning and being a human being on the long road of life.

"Peking University Annual Selections·2005 Prose Volume" selects representative works from major newspapers and periodicals across the country in 2005 and presents them to readers. The criteria for this year's selection come from our understanding of prose: thorough truth, broad sentiments, free expression, rich imagination, and the beauty of thoughts, wisdom, and life presented through the beauty of words. The selected articles include various aspects, including narratives, lyrical statements, book reviews, speeches, etc., Fully reflecting the diversity of prose. This year's selection includes both masterpieces by famous artists and sketches by newcomers. Essayists, novelists, poets, and scholars with many different backgrounds have jointly created a rich and charming prose world for us.

This article contains some of the author's prose essays. The simple words reveal the author's profound connotation and understanding of poetry. Readers who are interested in poetry can read it.

This book is a collection of essays by Mr. Xie Mian about Peking University. Mr. Xie Mian used poetic language to describe Peking University, where he has worked and lived for nearly 50 years. The lake, the tower, the garden, the moon, every plant and tree in Peking University filled his pen with emotion. Peking University is full of charming and pure beauty in his narrative...

"A Brief History of Chinese New Poetry in One Hundred Years" has ten chapters in total. The first eight chapters divide the development of Chinese new poetry in the 20th century into eight decades (1920s-1990s) for description and analysis. The last two chapters are respectively a review of theory and historical data. The special feature of "A Brief History of Chinese New Poetry" is that each chapter is independently written by scholars who are good at this field. Starting from the general preface, the authors of each part are Xie Mian, Jiang Tao, Sun Yushi, Wu Xiaodong, Hong Zicheng, Cheng Guangwei, Wang Guangming, Zhang Taozhou, Wu Sijing, and Liu Fuchun. Their respective ideas and styles are different, and they approach the problem from different angles. Some even conflict with each other, but on the whole they form a perfect "chorus" of new poetic history.

"A Hundred Years of Chinese Literature: A Hundred Years of Troubles in 1898" attempts to describe the ideological and cultural background of a hundred years of Chinese literature from the perspective of cultural and ideological history. "One Hundred Years of Chinese Literature: One Hundred Years of Troubles in 1898" took more than seven years from origin to realization. Its publication will provide a reference for the study of Chinese literature over the past century.