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The collection of essays "Mountains and Rivers are Bright" uses female vision, an aesthetic perspective, and literary language to conduct a new exploration, interpretation, interpretation and expression of the mountains, rivers, landforms, history and humanities, and urban life of the city of Chongqing, thereby revealing the vitality, charm, and uniqueness of Chongqing, and answering why Chongqing is a must-visit place. The author interprets Chongqing with full passion, smart writing style and beautiful language. The writing style of this book is natural and natural, the writing style is both magnificent and heroic, and the flowing flow and brushwork complement each other. This is a modern Chongqing person who uses words as a horse to gallop around his hometown. In the discovery and affectionate eulogy of his hometown, he finds the basis for the growth of Chongqing city and Chongqing people and the freedom of soul residence.

This is an era of overflowing beauties. This is a pale era when beauty has lost its identity and authenticity: beauty is disappearing at a terrible speed. Therefore, we advertise them more: women with individuality and passionate existence. They are not beauties in the traditional sense, they are full of shortcomings, and they do not even deserve a good fate. But they make a distinctive voice and live elsewhere in the noisy world. They are always the other. Whether it is Soong Meiling, the "Mother of the Country", the famous actress Hu Die, the talented writer Zhang Ailing, or the contemporary ordinary woman Ai Su, their emotions and fates are full of twists and turns, which makes people sigh. The few words the author inadvertently said show the novelty, freshness, wisdom and kindness of his words and thoughts.

"The Gentle West" is the author's description and praise of the mountains, rivers, customs and customs of western China; it is also the author's observation and thinking of the external world from the perspective of a westerner. The author gives a new meaning to the concept of "West", which not only refers to the west in the geographical sense, but also refers to the mysterious and unknown areas in the spiritual sense. In this collection of essays, which are mostly set in western China, Wu Jingya uses the word "gentle" throughout, which means that the west is no longer synonymous with wilderness and barrenness. This is a beautiful book with the beauty of artistic conception and the beauty of words. The author has a unique combination and innovative use of Chinese characters - her text lens has distant history, close present, longing, distance, and the steady flow of reality. The West described by Wu Jingya is like a vast, inclusive and mysterious spiritual homeland, waiting for each of us to step in and explore...

"Nangen Mountain" is a story entangled with male totems, with a surrealistic allegorical style. The heroine was born in China in the 1960s, grew up in the 1970s and 1980s, and was active in the early 21st century. These sensitive periods in China are also the years when China's gender relations are most turbulent, fissile, and ever-changing. Yihua has become a symbol of women in this period: at a loss, contradictory, multiple, self-aggrandizing yet self-destructive. Faced with the miserable scene, Yihua, who is wandering between the roles of a godmother warrior and a prisoner of war, has been trying to find a third way, that is, men and women are not innately opposite poles, but innate androgynous. The author's exploration and thinking are different from those of previous female writers such as Duras, Woolf, Zhang Ailing, etc. Many of the author's perceptions of life, life, emotions and gender culture have the avant-garde and subversive flavor of 21st century women. It is a very weird and tangled love novel, a phantom of Platonic love.