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Discovering unexpected stories in ordinary life, with a unique perspective, is refreshing. The stories of these ordinary little people exude the smell of earth rooted in reality, the smell of fireworks of the warmth and coldness of human relationships, and the metallic smell of human confrontation. This collection of essays is a collection of the author's recent literary writings. Writing about hometown reflects the attachment and love for relatives in hometown, as well as the praise of family and love; casual reflections on life, seize the moment of life and express one's full emotions and insights. The author depicts a profound reflection on himself and the world from the aspects of hometown, life, literature, life, family, friendship, etc. Rich life experiences, delicate life perceptions, and deep hopes for the world of others make up this "kaleidoscope" work-it allows people to see the value of life, and also makes people understand the difficulty of life; it is both full of love for the world and internalized self-reflection. The manuscript has four parts as its core structure, focusing on the experiences and insights of ordinary life. The overall style is simple and sincere, full of life warmth, and has strong personal emotional expression. Based on his ordinary life, the author transformed his thoughts and insights into words and polished them into a film through countless leisure hours and persistence in going to bed late and getting up early. The content abandons the accumulation of gorgeous words and closely follows every detail of life, such as capturing the ups and downs, joys and sorrows of life. It conveys a positive attitude towards life and simple wisdom of life with a normal mentality, allowing readers to see a microcosm of their own lives in the text and create an emotional connection. The manuscript has strong readability and resonance.

[Strong + Scumbag + Mutual Favor + Male Protagonist's Multiple Personalities + Female Protagonist's Medical Genius] A substitute marriage, in order to find out where her mother was, she married the second father of the Gu family who was rumored to be inhumane. Everyone thought that she was stupid and stupid, and that she was a perfect match for the ghost-faced male protagonist. Little did he know that she looked stupid, but in fact she was pretending to be a pig and eating the tiger, a hacker, a movie queen, and a medical expert all in one! When she got the marriage certificate and ran away decisively, he turned into another person and blocked her in the alley. "Promise me three conditions, and I'll let you go." She reluctantly agreed, but she didn't know she fell into the love trap of the "Ghost Face" CEO. She thought that pretending to be a couple was just a show, until one day, the double-faced president pinched her waist and said, "I have three conditions in mind." "That is, don't leave, love me, and stay with me for the rest of your life."

Just because she accidentally bumped into her that night, the bloody scene tortured her like a nightmare, and there was another person, no... He was not a human, he was a demon. "Sir, I... Really bumped into him accidentally. Please... Please let me live." "I never - never give the dead a chance." After the storm passed, she thought her life had returned to peace, but she didn't know that he was always by her side. She was actually my playmate when I was young, and I almost caused a big disaster. Does she still remember me and the promise I made when I was young? Her voice and smile make me more hopeful about life. Her appearance added a ray of hope to my originally gloomy world and revitalized my originally silent heart. She is my salvation and the only light in my life.

"Walking to Song" is a collection of prose written by Hebei writer Wu Ge (real name Wu Aimin). It will be published by Beiyue Literature and Art Publishing House in 2020 as the "Unbounded Prose" series. The book is divided into two parts: "Poetry and Prose" and "Traveling to Songs". The former presents childhood memories and local feelings through 41 works such as "Stone Nianzi" and "New Year", while the latter records the process of studying and working. From the perspective of a person born in 1972, the author uses simple brushwork to present a warm record of the growth and struggle of crops.