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汉魏六朝诗歌传播研究
Wu Dashun
The main goal of this book is to examine the process of symbiosis and separation of poetry and music in the historical context of the parallel, intersection and mutual transformation of poetry and music communication and text communication in the Han, Wei and Six Dynasties, as well as the internal connection between the various communication methods of poetry and the evolution of poetry literature: Chapters 1 and 2 systematically sort out the major oral communication methods and their history of poetry in the Han, Wei and Six Dynasties, such as soundtrack singing, solo singing, and recitation, and clarify the early forms of several major methods of poetry text communication such as stone carvings, wall inscriptions, copying, and collections during this period. And communication characteristics; the third chapter discusses the creation mechanism of Han soul poetry and the cross-communication form of poetry, music, and text; the fourth and fifth chapters provide a communication interpretation of two important phenomena in the history of poetry in the Han, Wei and Six Dynasties: "Jian'an style" and "official poetry"; the sixth chapter discusses the relationship between the invention and use of paper in the Han, Wei and Six Dynasties and the dissemination of poetic texts, and the significance of the popularization of poetry text dissemination to the formation of the poetic outlook of disciples in the Han, Wei and Six Dynasties; the seventh chapter discusses the development and changes of the postal system in the Han, Wei and Six Dynasties and the relationship between the dissemination of poetry in other places.
The main goal of this book is to examine the process of symbiosis and separation of poetry and music in the historical context of the parallel, intersection and mutual transformation of poetry and music communication and text communication in the Han, Wei and Six Dynasties, as well as the internal connection between the various communication methods of poetry and the evolution of poetry literature: Chapters 1 and 2 systematically sort out the major oral communication methods and their history of poetry in the Han, Wei and Six Dynasties, such as soundtrack singing, solo singing, and recitation, and clarify the early forms of several major methods of poetry text communication such as stone carvings, wall inscriptions, copying, and collections during this period. And communication characteristics; the third chapter discusses the creation mechanism of Han soul poetry and the cross-communication form of poetry, music, and text; the fourth and fifth chapters provide a communication interpretation of two important phenomena in the history of poetry in the Han, Wei and Six Dynasties: "Jian'an style" and "official poetry"; the sixth chapter discusses the relationship between the invention and use of paper in the Han, Wei and Six Dynasties and the dissemination of poetic texts, and the significance of the popularization of poetry text dissemination to the formation of the poetic outlook of disciples in the Han, Wei and Six Dynasties; the seventh chapter discusses the development and changes of the postal system in the Han, Wei and Six Dynasties and the relationship between the dissemination of poetry in other places.