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It revolves around Tong Xin Yu, the relationship between the male and female protagonists is delicate, they are not brainless, and they do not kill innocent people indiscriminately.

When the whole world is a story of collapse written by others, only I hold the broken pen tightly and write the final ending for all the desperate characters in the madness. A midnight station, an empty train, and a ticket dragged me into the horror story of "Rainy Night Station". I am not the passenger, I am the "exception variable". The system told me that this is a "collection of liminal stories", a execution ground that contains, corrects, and annihilates out-of-control narratives. Every dungeon I experienced was a crazy story on the verge of collapse. The younger brother in "Good Night Fairy Tale" wants to remain an "elder brother" forever, the colonel faces the cold rules of memory in "The Return Train", and the "eyes" that observe everything in "The Theater of Vientiane"... They all want to devour me, or turn me into a "reasonable" character in their stories. But I found that I seemed to be different from others. I can see loopholes in the "rules" and vaguely perceive the context of the "story". Because before time travel, I was a suspense novelist. Here, they call this quality - "author's perspective". I struggled to survive in countless horror stories, and the system's cold instructions echoed: "Find the fulcrum of the story, or face annihilation." Okay. In this crazy world, every "story" is destined to have a cruel ending. If the power of the "author" is the only power that can touch reality. Then-- "From today on, I will write this fucking 'story'!" "I want to use this 'pen', dipped in madness and hope, for all the souls trapped here, including myself--" "Write a different ending!"