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# "Nine Heavens Soul: Immortal and Demonic Tribulation" In the vast world of Xianxia, there is a mysterious and majestic Lingxiao Mountain. This mountain towers into the clouds and is shrouded in clouds and mist all year round, just like a fairyland. There are many exotic flowers and plants on the mountain, and rare and exotic animals shuttle among them. There are also many sects of cultivating immortals, among which Xuanqing Gate, Zixiao Pavilion and Shadow Valley are the most famous. The Xuanqing Sect adheres to the way of justice. The disciples all wear plain Taoist robes, hold long swords, practice immortal magic, and take it as their duty to subjugate and eliminate demons. Its leader, Qingwei Zhenren, has immortal Taoism, profound magic power, many disciples and talents. Zixiao Pavilion, located at the top of Lingxiao Mountain, is a magnificent building with magnificent architecture. The disciples in the pavilion are good at refining elixirs and magic weapons. They are dressed in purple clothes and have an elegant temperament. The master of the pavilion, Fairy Ziyao, is not only beautiful in appearance, but also proficient in various immortal magic formations, and enjoys a high reputation in the world of immortality. Shadow Valley is located in a quiet valley deep in Lingxiao Mountain. The disciples in the valley behave in a low-key manner, but all of them possess unique skills. They are good at concealment and assassination. They often wear black costumes and move like ghosts. The Shadow Demon Lord, the owner of the valley, is cold-tempered and ambitious. He secretly practices forbidden magic skills and attempts to dominate the entire fairy world.

"Fireworks in the World·Realism" is a "non-fiction novel" that covers contemporary China. It does not have a protagonist, but fifty ordinary names appear in succession; it does not distinguish between main lines, but allows the undercurrent of the times to intersect between the lines. From carpooling in Yanjiao to odd jobs in Shenzhen, the camera focuses on the corners forgotten by hot searches, recording how ordinary people find breathing in the cracks of algorithms, debt, and disasters. Each chapter is an independent chapter, like fifty long unsent letters, but together it is a "micro history": Some people move their weddings into floods, some people put divorce agreements into shared kitchens, some people mortgage their youth to e-sports, and some people give the rest of their lives to NFT just to believe in another miracle. There is no heroic counterattack here, only immediate survival: the birthday cake in the takeout box still gets bad reviews, and the Peking University master who broadcasts the rice fields still has to pay back his student loan. Let the details speak for themselves: the last fish in the fish tank, the broken mooncakes on the Mid-Autumn Night in the construction floor room, the wedding dress that cannot be sold on the second-hand platform. After reading it, you will remember 50 scenes, but it seems that you only see the same back - the one of you dragging your suitcase during the morning subway rush hour with only 13% of the battery left on your mobile phone. This is not a "cure" or a "depression", but an archive of civilians from 2020 to 2025: when the grand narrative ebbs, those wet footprints are our common highlight.

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In the not-too-distant future, the earth's resources are increasingly depleted, population pressure is huge, and environmental degradation has reached an unprecedented level.