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逆光生长，樱花与麦穗交响曲
Writer Jvv3mb
45-year-old Lin Sui stood at the opening ceremony of the Ginza Gallery. Her "Kimono in the Wheat Field" was named the best cross-border work of the year by the Japan Art Association. On the canvas, golden wheat ears are entwined with broken cherry blossom patterns, and a calloused hand holding a brush can be vaguely seen in the corner. In the flash of light, she looked towards the corner of the exhibition hall - her husband Kenichi Sato was silently wiping the tombstone-like booth, which was engraved with "Dedicated to all those who have taken root in a foreign land."
45-year-old Lin Sui stood at the opening ceremony of the Ginza Gallery. Her "Kimono in the Wheat Field" was named the best cross-border work of the year by the Japan Art Association. On the canvas, golden wheat ears are entwined with broken cherry blossom patterns, and a calloused hand holding a brush can be vaguely seen in the corner. In the flash of light, she looked towards the corner of the exhibition hall - her husband Kenichi Sato was silently wiping the tombstone-like booth, which was engraved with "Dedicated to all those who have taken root in a foreign land."