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This book is the third in the "Famous Women of the Spring and Autumn Period" series. Wen Jiang, who is world-famous for his talent and "Qi Dafei", is the starting point. Through a woman's perspective, it tells the history of Qi State seizing the opportunity of Zheng State's break with the Zhou royal family, Qi Zheng's alliance, Qi State embarking on the road to hegemony, and finally becoming the overlord of the Spring and Autumn Period. This series takes a unique approach and unfolds the Spring and Autumn Period from a female perspective. It does not fabricate or exaggerate, but uses rational language to restore the life of a legendary woman.

That day, when I first arrived at the editorial office, I saw a colorful magazine on the desk, with what appeared to be a picture of a woman on the cover. This is a clothing magazine ordered by the American editor Xiao Li. Today's girls just like to study clothing. The day before yesterday, she told me that a clothing designer she particularly likes has designed a set of pastoral-style clothes. She likes it very much, but she doesn't know where to buy it. This suddenly reminded me of a joke posted by a friend: "The new fashion of big money - no longer show off how much money you have, but how many political friends you have. No longer show off how many cars you have, but how many drivers you have. No longer brag about how many projects you have, but how many listed companies you have. When eating, you no longer order food, but directly order from the chef. When looking for women, you no longer look for nightclub girls, but directly use the remote control to find hosts and movie stars. When wearing clothes, you no longer ask which brand is from which country, but which country's tailor."

After sending my mother away, I suddenly discovered that my sister-in-law was so old, with gray hair and wrinkles on her face. She was a famous beauty in Shayang Town when she was young. Her former glory was completely consumed by our family and this village. And I am still a burden to her. My brother is gone, my father is gone, my mother is gone, I should go too... When my parents were alive, I did not fulfill my filial piety. I was more resentful towards them. This is the most guilty thing in my life. I have to make up for it there. The third day after my mother was buried was the day to thank her for her filial piety. Xie Xiao is a custom here, that is, filial sons go to the natal family of the deceased to thank them for everything they have done for the deceased, and return to them the gifts that the natal family brought during the funeral. Although my mother no longer has any relatives in her natal family, this formality still has to go.

From Mr. Chen Guo to Mrs. Xi and then to Queen Chu Wen, the most charming woman in history, the most controversial lady of the Spring and Autumn Period, the woman who established the strength of Chu State for hegemony, Liu An, whose real name is Wang Xiangqin, is a member of the Chinese Writers Association, a student of the 11th Advanced Research Class of Lu Xun Institute of Literature, a director of the Henan Writers Association, a contracted writer of the Henan Academy of Literature, and the chairman of the Zhoukou Writers Association. Published novel collections "Red Moon", "Eight Faces", "Burning Wooden Man", "Solar Eclipse", and novels "Floating Life" and "My Godmother Liu Commander". "The Burning Wood Man" won the Henan Province Literary and Art Achievement Award, and "My Godmother Liu Commander" won the Henan Province "Five One Project Award", the Henan Province Excellent Book Award, and the Henan Province Wending Zhongyuan Novel Project Outstanding Work Award. "Floating Life" won the 2013 Chinese Writers Association's key support work and the Du Fu Literature Award. The novel "The Young Master's Peach Blossom" won the key project of "Central Plains Humanistic Spirit Series Project - Literary and Art Quality Project".