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盛唐三大家诗论
Wei Gengyuan
"On Poetry of the Three Great Masters of the Tang Dynasty" focuses on the poetry creation activities of Li Bai, Wang Wei, and Du Fu. It focuses on the development and changes of poetic styles and takes the respective characteristics of the three great masters as the starting point. The "laughter" in Li Bai's poems, the structure of the song lines, metaphors and true rhetoric, Du Fu's seven rhymes, song lines, poetry compositions, and his status in the "history of poetry". In particular, Wang Wei's paintings and poetry are combined to study, and the reasons for the common emergence of the three great masters are explored. This book also compares the three poets in detail, from their poetic style to style, such as the comparison of the five- and seven-character quatrains of Li Bai and Wang Wei, the comparison of the keywords that the three poets like to use, etc., And then extracts the inner roots of the peak situation of the poetry world in the prosperous Tang Dynasty.
"On Poetry of the Three Great Masters of the Tang Dynasty" focuses on the poetry creation activities of Li Bai, Wang Wei, and Du Fu. It focuses on the development and changes of poetic styles and takes the respective characteristics of the three great masters as the starting point. The "laughter" in Li Bai's poems, the structure of the song lines, metaphors and true rhetoric, Du Fu's seven rhymes, song lines, poetry compositions, and his status in the "history of poetry". In particular, Wang Wei's paintings and poetry are combined to study, and the reasons for the common emergence of the three great masters are explored. This book also compares the three poets in detail, from their poetic style to style, such as the comparison of the five- and seven-character quatrains of Li Bai and Wang Wei, the comparison of the keywords that the three poets like to use, etc., And then extracts the inner roots of the peak situation of the poetry world in the prosperous Tang Dynasty.
On Tao Yuanming
Literature陶渊明论
Wei Gengyuan
The discussion about Tao Yuanming is a hot topic in the study of medieval literature, and there are many monographs on it. "Treatise on Tao Yuanming" starts from the perspective of doctrine, diction, and textual research. The content of the discussion involves: Tao Yuanming's thoughts and political attitudes, reflections on the "plain and natural" main style of Tao's poems, the aesthetic tendency of Tao's poems that are both superficial and strange at the same time, and the structural characteristics of Tao's poems. The tendency of prose culture, the unique and exquisite language features, the themes of important poems, essays and poems, Tao's poems inheriting Qu Yuan and embodying the aesthetic style of the Eastern Jin Dynasty together with Wang Xizhi's calligraphy, Tao Ji's self-made new words and the examination of difficult words not included in the dictionary, etc. "Treatise on Tao Yuanming" is divided into six parts and twenty chapters. It discusses from multi-dimensional and multi-disciplinary theoretical approaches such as poetic aesthetics, criticism of Tao poetry, and the spread of Tao poetry, calligraphy and painting, presenting a new look that is different from previous research. This book was originally written by Wei Geng.
The discussion about Tao Yuanming is a hot topic in the study of medieval literature, and there are many monographs on it. "Treatise on Tao Yuanming" starts from the perspective of doctrine, diction, and textual research. The content of the discussion involves: Tao Yuanming's thoughts and political attitudes, reflections on the "plain and natural" main style of Tao's poems, the aesthetic tendency of Tao's poems that are both superficial and strange at the same time, and the structural characteristics of Tao's poems. The tendency of prose culture, the unique and exquisite language features, the themes of important poems, essays and poems, Tao's poems inheriting Qu Yuan and embodying the aesthetic style of the Eastern Jin Dynasty together with Wang Xizhi's calligraphy, Tao Ji's self-made new words and the examination of difficult words not included in the dictionary, etc. "Treatise on Tao Yuanming" is divided into six parts and twenty chapters. It discusses from multi-dimensional and multi-disciplinary theoretical approaches such as poetic aesthetics, criticism of Tao poetry, and the spread of Tao poetry, calligraphy and painting, presenting a new look that is different from previous research. This book was originally written by Wei Geng.