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"Returning to Ink" takes the artist's own exploration as the context, and writes about the confusion and pursuit amid the ups and downs of Chinese and foreign artistic trends. Starting from the roots of traditional calligraphy and painting, the author has experienced the collision and baptism of Eastern and Western art trends. Looking back amidst the glitz and hustle and bustle, he finally recognized the origin of the text and returned to the original intention of writing. The work takes the inner contradiction of "familiarity and unfamiliarity" as the starting point. It not only describes the familiarity and attachment to the homeland of calligraphy and painting, but also describes the alienation caused by the changes in personnel in the artistic journey. It also precipitates a firm direction in this contradiction - true art never follows the trend, but adheres to the traditional background, anchors the inner authenticity, settles down in the pen and ink, and moves forward firmly in inheritance. The whole article is based on emotion as the bone and enlightenment as the soul. It is not only a monologue about the return of personal art, but also a sober self-reflection on the impetuous trend of contemporary art. It hides the persistence of art and the character of a literary person.

It tells the story of a pair of twins, Wang Chenxi and Wang Chenhui, who have been facing broken families since they were born. Growing up, they often had to face rumors about their parents and fights with classmates. Under the guidance of their father, they determined to become talented. They use their thin bodies to stand up in the face of difficulties and say no! Use actions to tell the world what education is!

This book is an autobiographical novel written by me based on my ten-year experience as a teacher in a mountainous village. Each story in the book highly restores the real scene at that time. In order to better connect the whole book, some stories in the book have been slightly adjusted in order with the real past, and the story telling has been slightly processed. Without affecting the general direction, some modifications and integrations have been made to the original events, aiming to give everyone a hearty reading experience and gain strength from it.

Chinese literature entered the 1990s and took on a completely new style that was completely different from that of the 1980s. During this period of transformation, 1993 became a watershed in the literature of the 1980s and 1990s. Through the study of literary and cultural phenomena around 1993, this book finds that 1993 was a very important era for Chinese literature. The most prominent symptom was that diverse cultures began to be highlighted, and the coexistence of three cultures began to take shape. The transformation and mutation of literature in 1993 influenced and established the literary pattern of the late 20th century and even the 21st century. 1993 Is of great value and significance to the literary history before and after it. It is a watershed and boundary stone that marked the literary landscape of the 1980s and 1990s.