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This book "Style" continues Wang Xiaorou's unique "civilian humor" and continues to gossip, making it interesting and enjoyable for you. To amuse you and make you feel relaxed and happy. The six parts of this book are "Being Monsters", which records several women who are very capable of making monsters and are unable to do much trouble and only "hide" in their own small world, such as A Lu's strange experience in the delivery room before and after giving birth, and another example of a high-end meal. "The part uses daily little things around the author to describe the days, jokes, and monsters; the part about the "fart boy" is the author's psychological process of being curious on the one hand, and feeling lucky because he has witnessed the growth of life in the process of raising his son. This part is also a reflection of maternal feelings that are rarely seen in Wang Xiaorou's writings.

This book contains more than 70 "Er De" jokes created by Wang Xiaorou, which continue Wang Xiaorou's original literary styles of "living life as a joke" and "demon moth". In 2013, Wang Xiaorou said: I like people who are a bit smart. Two people are simple, two people are kind, and two people never pretend, because they don't know how. Authenticity, without packaging, is already considered a second type nowadays, so I would rather stay like this!

This book contains 26 vivid jokes, which are called "living life very well"; 10 funny personal blogs, which are called "making fun of people"; and 31 "demon world cup", which shows how the ball-blind Wang Xiaorou used her "demon magic" to perform the 2006 World Cup.

This book is Wang Xiaorou's earliest collection of joke essays. After its publication, the phrase "live life as a joke", as a wise and simple philosophy of life, has become the spiritual benchmark for Wang Xiaorou's joke works. The word "Yao Mozi" in the subsequent "Yao Mo Zi" series can be said to be the aesthetic benchmark for Wang Xiaorou's jokes. This book of essays includes three volumes: Living Life as a Joker, Reading with the Left Eye, and Personal Notes.

This book is divided into four volumes: Showing Coward, Lao Wo, Small Citizen, and Sensational. This book continues Wang Xiaorou's characteristic writing style, combining whimsy and humor, ridiculing fashion and criticizing glitz. It has been awarded "the most admired contemporary joke writer", "the most artistic citizen in the contemporary era", "the weirdest and most bizarre dialect award", "the most interesting demon moth award" and other folk honors by many "Rushui" readers.

Wang Xiaorou wrote about various animals in this book, such as roosters, sows, cats and dogs, so the title of her preface is called "Primate Companions". She said: "The little ones written in this book are only a few of the ones I have come into contact with in my life. They are ordinary and familiar to everyone. If some people's homes are like zoos, our home is a boarding house. The animals will be picked up after they recover from illness, or they will be picked up after they recover. We are just staying here for a few days, waiting for the little owner to return from his trip. I am not a doctor at a pet hospital, but I believe that love and respect are more important to animals. I am willing to be a guardian, talk to animals, and see the purest peace in life, without pampering or dependence. "

Wang Xiaorou lives in Tianjin, which makes her very close to the urban atmosphere of Tianjin. She often talks about roadside stalls and flatbread vendors. These are street scenes that we Chinese are very familiar with. Anyone who says that they don't like eating street flatbreads is lying. In addition to being kind and touching, the market man is also playful and playful. He doesn't take seriousness and taste seriously, and mocks those pretending to be a superior life. While she is laughing and cursing, the little person's joy and occasional sadness are naturally revealed.

Wang Xiaorou vividly interprets the evil moths in modern urban life with her prose in the style of jokes. The happy life philosophy of "living life as a joke" still continues in her life. Most of the words reflect life itself, are affectionate and touching, playful and playful, mocking and ridiculing the truth of life, and ironic chicken soup for the soul. As she said: "You have to remind yourself that you shouldn't be with chickens at all." The world is so big, some people either jump into the fire pit regardless of their own safety, or some are so regretful that they look at the moonlight. In short, the pretended high life reveals the joy and sorrow under her heartfelt and to-the-point comments. The book is equipped with illustrations specially drawn by cartoonist Wang Yuan for the work. Wang Xiaorou captures the demons and moths in life with her heartfelt Tianjin-style humor. In the form of prose, from the small to the vast, it ridicules and deeply analyzes the popular phenomena, and interprets the arty modern urban life in a straight-forward manner. His sharp and delicate observations and unique wisdom make people feel full after laughing.

Wang Xiaorou captures the demons and moths in life with her heartfelt Tianjin-style humor. In the form of prose, from the small to the vast, it ridicules and deeply analyzes the popular phenomena, and interprets the arty modern urban life in a straight-forward manner. His sharp and delicate observations and unique wisdom make people feel full after laughing. Her unique perspective on life and humorous expression are deeply loved by readers.

Wang Xiaorou's latest joke "Don't Pretend" continues the previous narrative style of "living life as a joke". The text in the book touches on topics closely related to daily life, ranging from the workplace life of urban white-collar workers to a sideways observation of education and parent-child relationships, from the game life wrapped in the Internet to getting along with best friends. Every topic starts from the public concern, without losing the popularity, and presents the most real people's life in a humorous manner.