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中国现代小说死亡叙事研究
Wang Xiaohuan
Modern Chinese novels have been shrouded in the shadow of death since their very beginning, and are full of time anxiety and survival anxiety. This book uses a variety of classic literary theoretical research and analysis methods such as case interpretation, comparative research, external research, and mutual verification of cause and effect. It takes the death narrative in modern Chinese novels as the entry point to study the spiritual pursuit of modern writers and the aesthetic orientation of novels, as well as the dilemma of the awakening of life consciousness and ideological enlightenment of modern writers. It explores the spiritual connotation of death writing in modern novels, the transformation of death narrative perspectives and different discourse characteristics, and summarizes the aesthetic style and deep cultural metaphors of death narratives in modern novels.
Modern Chinese novels have been shrouded in the shadow of death since their very beginning, and are full of time anxiety and survival anxiety. This book uses a variety of classic literary theoretical research and analysis methods such as case interpretation, comparative research, external research, and mutual verification of cause and effect. It takes the death narrative in modern Chinese novels as the entry point to study the spiritual pursuit of modern writers and the aesthetic orientation of novels, as well as the dilemma of the awakening of life consciousness and ideological enlightenment of modern writers. It explores the spiritual connotation of death writing in modern novels, the transformation of death narrative perspectives and different discourse characteristics, and summarizes the aesthetic style and deep cultural metaphors of death narratives in modern novels.