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"Tidying Up Those Days" collects and compiles short stories and short stories written by the famous writer Wang Xiangfu from 1979 to 1989. Among them are "Old Stories in Xiniujie", "The Aunt Who Never Returns", "Old Stories in Shatangyuan", "The World", etc. The work truly reflects the various life styles of social groups and successfully depicts group portraits of various small figures in contemporary urban and rural areas in northern China. "Tidying Up Those Days\u002F The Rise of the Jin Army Fine Collection" is included in the "Rise of the Jin Army" collection, which fully reflects the strength and influence of Shanxi literature.

Women from all over the village came out in droves. These "peasants" who had escaped the dictionary meaning, wandered around the city and begged on the streets. The beautiful girl Mi Gu is also deeply involved. In order to survive, she gradually finds her own way of survival in the city, which also opens up her tragic fate... When survival becomes the only belief, what else can't be sold?

Wang Xiangfu was born in Fushun, Liaoning Province. He is the author of seven novels including "Durian", six collections of short and medium stories including "Angry Apple", and four collections of essays including "When to Watch the Mountains with My Husband". He won the first and second "Zhao Shuli Literature Award" and the third "Lu Xun Literature Award". "Dianchi Literature Award", the 13th "Novel Monthly Hundred Flowers Award", etc. Our journal has selected and published many of the author's novellas. Wang Chunli pedaled her car and arrived at Beidou North Road. The sun was shining brightly at the moment, and the heat wave on Beidou North Road was so hot that people couldn't even open their eyes.

This book contains 25 short stories by Mr. Wang Xiangfu, known as the "King of Contemporary Novels". The collected novels are mostly representative works of various periods and new works published for the first time. Among them, the representative works have won various awards, such as the Lu Xun Literature Award, the Hundred Flowers Award of "Novel Monthly" and other important domestic awards. These novels not only reflect the daily life and spiritual life of contemporary people, but also reveal their embarrassment and enterprising spirit, thus reflecting a kind of care and concern for "human nature". Coupled with the reviewer's accurate analysis, the book is even more intriguing to read.

This book selects 9 novels and short stories by Wang Xiangfu: "Caitou", "Angry Apple", "Running Wild", "Glass Nanny", "No Way to Seek Death", "Music", "Building Blocks", "Dream" and "A Mote of Dust". Wang Xiangfu has the dual identity of a writer and a painter, which gives him his own unique writing perspective and writing style. He is always keen to see some scenes in life and sensitively restore them to his works like a painting. "The painting is hidden in the text, and the text is revealed in the painting" is a writing style of Wang Xiangfu's writing, which vividly demonstrates Wang Xiangfu's writing skills and better expresses the living conditions of the people at the bottom that Wang Xiangfu wants to express. "A Mote of Dust" describes that in that turbulent era, "If you want to survive, you must have someone to support you." Li Shuqin remembered her grandmother's words. In the eyes of others, abandoning one's husband and children is just to avoid hurting the people closest to you, just to survive. As a school teacher who was criticized everywhere, facing the unfavorable situation that the storm was about to come, she tried to get close to Captain Zheng, and even had a seductive attitude for a time, but unfortunately she did not succeed; instead, she was jumped on by the Wang gangster who had been coveting her for a long time. This is simply a kind of destruction like a landslide. Wang Dangsheng's extremely despicable possessive performance on Li Shuqin's body (he lusted after the beautiful movie star and beautiful principal), as well as the process of being caught and raped by Zheng Company Commander and others. The author quietly stripped away a picture of human nature being unscrupulously distorted and suppressed. Even with all kinds of calculations and even struggles, Li Shuqin's fate could not escape the word "tragic". She had her cheongsam cut off, her head shaved, her nakedness exposed, she was punished, and she was criticized... She experienced all the sufferings one by one. Fortunately, she is still alive. However, in the end, "No one knew what she was talking about, and no one listened. Maybe, maybe even she herself didn't know what she was talking about..." A woman who was once the most beautiful woman should have had a beautiful life of her own, but ended up with a tragic ending.

The Chinese New Year is coming soon. Gan Huo didn't expect that even people from the TV station would come on the day of the program. The TV station has always wanted to do a program between Gan Huo and Bai Xiaoshi about benefits fees, but they never had the chance. They seized this opportunity to interview. They interviewed Gan Huo and Bai Xiaoshi at the traffic station, and then followed them to the hospital. The camera followed Ganhuo and Bai Xiaoshi to the hospital bed of Li Baisheng, who was waiting for kidney transplant surgery. Li Baisheng was wearing a mask and his face was very pale. Ganhuo and Bai Xiaoshi both shook hands with Li Baisheng and said a few words. The program is not long, only ten minutes. A ten-minute program is already very long.

Chinese calligraphy and painting are ancient and important art forms among the traditional arts of the Chinese nation. "Painting Soul and Calligraphy Rhythm" contains dozens of essays by writer, calligrapher and painter Wang Xiangfu. These essays mostly take calligraphy and painting as the theme, and can be roughly divided into three categories: remembering people, describing things, and recording events. "Remembering People" mainly describes the interesting stories of famous painters such as Qi Baishi and Zhang Daqian in a brisk style, and everyone's spirit can be seen. It also describes the author's past events with painter friends such as Li Yuantao and Chen Shouxiang, and some artistic insights are revealed between the lines. Talking about things describes the ink, paper, cinnabar and other things related to painting, as well as some animals and plants that are often favored in paintings, revealing the author's artistic taste in the small and ordinary. Notes describe some interesting things that happened while the author was painting, along with some thoughts and light-hearted discussions. Regardless of recalling people, talking about things, or recording events, the style of writing is always fresh, meaningful, humorous, and embodies the "soul of painting and calligraphy" in the details, which is precise but has endless meaning.

Teacher Dong's temper has been particularly difficult to deal with these days. He gets angry easily and seems to have become a little smaller all of a sudden. The town is small after all, and Teacher Dong's story has been widely spread in the town. That is: Teacher Dong ruthlessly drove his wife Shaobing and daughter Dong Xiao out of the house. For a long time, people have said that Teacher Dong's daughter Dong Xiao looks neither like Teacher Dong nor like Teacher Dong's wife Shaobing. Teacher Dong is a very easy-going person. He has never blushed with others, let alone made a move. One thing he did that day was to angrily saw the big bed at home from the middle. He was sweating profusely in the house and sawed the big yellow painted bed "creeping, creaking" for a long time, and then dragged the sawed big bed from the house to the outside. Half of the bed only had two legs, so he had to put it against the wall outside the door.

When it was getting dark, Taohua walked out of the village, her face was covered with tears. She had nothing in her hand. She had already put the rope in her pocket. She walked out from the north side of the village and headed north along the white dam of the reservoir. Both sides of the dam were covered with green reeds, which made a loud "swishing" sound in the wind. She walked north along the embankment to the end of the reservoir, then turned west to reach the cypress field. Taohua didn't understand what she was doing now. She turned around and looked at Liujiadianzi behind her. The houses in Liujiadianzi suddenly became smaller, like children's building blocks. When she turned back to look at Liujiadianzi, she didn't even notice that a group of people were chasing them along the embankment. She didn't see the people behind them at all. Among the people who caught up with her were Risheng and Yuesheng, as well as Zhu Fengui and Dezhong Deliang. These people soon caught up with Peach Blossom. Taohua didn't know what they were going to do.

Mi Xiang took the bowl from her mother's hand and ate it heartily. While she was eating, she looked up at the wooden clock on the wall. It was already past twelve o'clock in the middle of the night. It was still raining outside, and the "squeaking" eaves hung with white flowers from the eaves, and fell on the rice-threshing barrels under the eaves, making a loud sound. Mi Xiang suddenly put down the bowl. She seemed to hear a burst of scattered footsteps. Could it be Pei Shao? Could it be Pei Shao? Could Pei Shao have caught up here again? Mi Xiang's heart began to beat wildly. She stood up and listened to the outside in panic. But it wasn't footsteps, it was just the wind blowing a can on the ground making a rattling sound. Mi Xiang ate heartily before asking her mother to wash her wounds.

Nine years ago, when Liangqi first came, Secretary Wang Qihong accompanied him laughing and joking, telling dirty jokes and making out with each other. She even rolled up her trouser legs to accompany him across the south river. The water in the river was really cold. They walked a long way south. The south was full of sloping land, which could not retain rainwater and was not suitable for growing crops. "I want to own such a large piece of land." Liangqi pointed to the surrounding slopes and said to secretary Wang Qihong. Secretary Wang Qihong said, "Liangqi, you can do whatever you want. You can use this land as you want, just like you use your wife. If you use it hard, if you don't use it hard, you will be a pustule!" What is the time? Time is like a sharp arrow, and nine years passed in a flash.

This collection of essays contains a total of seven long essays by Wang Xiangfu, all of which are unpublished new works. From these proses, we can see the beauty of traditional Chinese prose, especially the author who is good at line drawing techniques and can make people fall into a better state quietly. The essays collected in the collection include "The Scenery of Middle Ages", "Bookside Essays", "I Wandered Around" and "Nightlife Notes". Most of them are about the author discovering the beauty of traditional culture from the lives of ordinary people around him. One thing at a time, from small to big, guides readers to understand the beauty of Chinese national culture, and integrates knowledge and interest. Mr. Wang Xiangfu is also good at painting. This collection integrates the author's words and paintings, fully demonstrating the charm of a Chinese literati-style "cultural prose".