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Hayden White is a famous contemporary historical philosopher, literary critic, and cultural historian in the United States. He is one of the representatives of New Historicism. His theory of historical poetics advocates the poetic construction of history and breaks the disciplinary boundaries between history and literature. He has attracted much attention from domestic and foreign academic circles. Based on sorting out and analyzing the main content and academic context of Hayden White's theory of historical poetics, this book combines the texts of American sinologist Shi Jingqian and the case of the Nazi Holocaust to analyze White's historical textualism and historical relativism from the perspective of debate, and then discusses White's theoretical contributions, hoping to promote the current research on Hayden White and promote the proliferation of his ideas.

The years of growing up have the color and fragrance of flowers, the gentleness and randomness of the wind; the process of growing up will definitely be baptized by laughter and tears; the memory of growing up will be forever frozen in the album of life... Let us open this book "Handsome Boy", follow the footsteps of the protagonist Guo Shuyu, and feel the joy and tears of growing up with this handsome and arrogant young man.

This book is based on trauma theory, new historicism theory, postcolonial theory, comparative literature iconology theory, etc., And uses the works of Conrad, Shakespeare, Art Spiegelman, Alice Walker, Hemingway, Melville, Kafka and other writers as research objects to explore the colonial wounds, racial wounds, women's wounds in Western literature. Sexual wounds, ecological wounds, and the wounds of modern people's survival dilemma, focus on exploring the historical reality and textual representation of colonial trauma, the trauma narratives of black slaves and Jews, the close connection between female trauma and colonization, race, male discourse, imperial consciousness, marine ecology and desert island ecology, and the survival dilemma of modern Westerners.

"Lu Xun Research Monthly's Compilation of Historical Materials on Northeastern Exile Literature" is a compilation of historical materials on Northeastern exile literature edited by Wang Xia in recent years. It is also one of the historical materials volumes of the "Historical Materials and Research Series on Northeastern Exile Literature" edited by Zhang Fugui. Due to space limitations, the editor selected relevant research materials published in "Lu Xun Research Monthly" from 1988 to 2019. The book has about 210,000 words, including "The Dead Are Gone" by Xiao Hong, ""Baiyun Yuan is Light" by Chen Shuyu, "My Interaction with Mr. Lu Xun" by Xiao Yun, "Xiao Jun's Diary·Walking Collection" by Xiao Jun, and "Mu Mutian and Peng Hui in the Left Alliance Period" by Mu Lili, etc. Because the articles included in this book have all been published in magazines, the overall quality of the manuscript is high, and it has important historical and research value for the study of Northeastern exile literature.

A suspected prank ticket led Jeremy to board a cruise ship named Pelegeias with doubts. He got into trouble on the first day on the ship, and the resulting revenge made him and his friends shovel coal in the boiler room. Many hideous ghosts appeared at a costume horror party held for all ship passengers. When everyone was panicking, the captain told them the origin of the ticket and the destination of this route, Bigan Island.