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As one of the earliest American writers translated into my country, Edgar Allan Poe's spread and acceptance in China involves rich and complex research content. His influence on China is part of his global influence. The study of Edgar Allan Poe's spread and acceptance in China is one of the important contents of international "Poe studies". However, research related to this topic at home and abroad began in the late 1980s, and was not fully developed, with not many scholars participating. This book is the first comprehensive and systematic study of this topic at home and abroad. It is a cutting-edge academic topic and is groundbreaking.

The genre and subject matter of "Songyin Manglu" are imitated by Pu Songling's "Strange Stories from a Chinese Studio", but the scope of the material is wider than that of "Strange Stories from a Chinese Studio", including many stories about Japanese geishas such as "The Story of Japanese Girl A Chuan", "The Beauty of Willow Bridge", "Seventeen Famous Flowers in the North Bridge", "Japanese Talented Girl" and European beauties "Biography of Mei Li". "Songyin Man Lu" is Wang Tao's "recollection of what he has seen and heard in the past thirty years, and the things that can sing and be shocking, and talk about the eleventh, some touching the past, some reminiscing about old hatred... Alternating with tears." It is also known as "Strange Pictures from a Chinese Studio" "Shuo" and "Stories from a Chinese Studio after Drawing" are a collection of classical Chinese short stories printed by Wang Tao of the Qing Dynasty in the early years of Guangxu (1875); each article was originally published in the supplement "Pictured" of Shanghai's "Shenbao", which lasted for more than three years.

"Songyin Manglu", also known as "Stories from a Chinese Studio", is a collection of short stories in classical Chinese that was popular in modern times. The author is Wang Tao, a famous early reformist in my country. "Songyin Manglu" is a work in which he recalls the shocking and embarrassing things he has seen and heard in the past thirty years, and uses it to express his daily complaints and frustrations. The content of the book is quite extensive, and the writing is similar to that of "Liao Zhai". The plot is euphemistic and tortuous, and the description is vivid and delicate.

This book intends to use the perspective of "novel ethics" to "travel" through Joseph Heller's novels, allowing theory and works to communicate with each other, so that in this way, their respective possibilities can be better developed. Novel ethics is a new ethical criticism approach specifically aimed at novels, and this is its first systematic practice. This idea draws on theoretical perspectives such as narratology and rhetoric, and divides novels into different levels such as story, narrative, and rhetoric. Therefore, the ethical issues faced in novels are also divided into issues at different levels such as story ethics, narrative ethics, and rhetoric ethics. This is also the first comprehensive interpretation of Heller's novels from an ethical perspective. Ethical issues are one of the important issues in Heller's novels, not only in the themes of the novels, but also in the artistic form of the novels. From the perspective of systematic novel ethics, this book comprehensively investigates the multi-faceted ethical consciousness conveyed by Heller's novels from different aspects such as macro and micro, content and form of works, external and internal text, etc., And finally reaches a possible conclusion: what Heller's novels intend to show is a postmodern "survival ethics" concept.

This book, also known as "Strange Stories from a Chinese Studio", is a collection of short stories in classical Chinese that was very popular in modern times. The author is Wang Tao, a famous early reformist in my country. This book is a work in which he recalls the shocking and shocking things he has seen and heard in the past thirty years, and uses it to express his daily complaints and frustrations. The content of the book is quite extensive. The story of "Liao Zhai" written by Zhi Quan is euphemistic and tortuous, and the description is vivid and delicate. There is often emotion between the lines, and the poetry is eloquent and moving.