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This book comprehensively examines the various means of communication and reception of Southern Opera in ancient China, and further concludes that the aesthetic taste of the audience is the main reason for the popularity and disappearance of Southern Opera works. In addition, the book also describes in detail the evolution and development trajectory of Southern Opera's reception, the stage and desk reception of Southern Opera, and the causal relationship between Southern Opera's criticism and stage reception, etc. Finally, the book further proves the correctness and reasonableness of the above-mentioned point of view by taking classic or controversial works such as "Pipa Ji", "Four Southern Operas", "Wu Lun Quan Bei Ji" and "Xiang Nag Ji" as individual cases, and balances the content composition of macro narrative and micro analysis in style.