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From the perspective of the journey of cultural poetics in China, this book explores issues related to the sinicization of cultural poetics, and specifically reviews the growth process of cultural poetics in Chinese soil and Chinese context: from translation to theoretical reference, from theoretical construction to critical practice, and at the same time studies and predicts issues such as the expansion of the theoretical space and practice of cultural poetics in China.

The canonization of a writer's works is a staged process from this article to a classic. Its starting point is the classicity of this article, which contains multi-faceted meanings such as tradition, pioneering, and model. The canonization of a work is a process in which readers continue to discover and reveal the classicity of this article and gradually establish its classic status. Cao Zhi blended his previous literary traditions and created original works, combining various styles and integrating all their achievements. The primary way to make his literature canonized is through the learning of creative readers. Through the creation and acceptance of literati in the Jin Dynasty, Song Dynasty and Qi Dynasty, the classic series of Cao's works was basically formed. The collection of "Selected Works" and the criticism of "Poetry" and "Wenxindiaolong" made the classic series manifest. Compared with the canonization of his works, the canonization of Cao Zhi has gone through a long process, from Chen Shou, Pei Songzhi, Jiang Yan, Zhong Rong, Xiao Yi, "Chen Siwang Temple Stele", Wang Tong, to Li Shan, Wu Chen, Wang Bo, etc. In the Tang Dynasty. After the discovery of many readers, Cao Zhi's Confucianism was finally unified with his works, thus establishing his status as a great master in the history of Chinese literature.