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Preface and Postscript

Wang Guangming

256K0

This book is a compilation of the prefaces and postscripts of doctoral thesis comments, national and Ministry of Education project comments, etc. Written by Mr. Wang Guangming. The book is divided into three parts. The first part is the preface, including the "Preface to "Research on Zhang Zao's Poetry", with a total of 48 articles; the second part is the postscript, with a total of 21 articles; the third part is the essay reviews, project review comments and conference paper reviews. In addition to the common prefaces and postscripts, this book also compiles essay comments, project comments, etc., Which not only has certain academic value, but can also be used as a reference for doctoral students and project applicants.

The Language and Form of Poetry: Proceedings of the Academic Seminar on the Language and Form of Modern Chinese Poetry

Wang Guangming

578K0

This book specializes in the study of poetic language and form issues. It can be seen that the development of poetic form has experienced historical choices, and is inseparable from the active exploration of poets in various eras. As an academic issue, it should indeed be discussed. This collection of essays is very rich in content, including discussions on poetry theory, analysis of poets' creations, microscopic research on poetic language and form, and macroscopic scanning and generalization, etc. This reflects our concern for the future of Chinese poetry and our sense of responsibility for the development of well-developed new Chinese poetry!

Difficult Points (revised Edition): "new Poetry Wave" and Modern Chinese Poetry in the 20th Century

Wang Guangming

267K0

This book is a monograph that systematically studies the "New Poetry Wave" artistic innovation movement in the 1980s. It focuses on exploring the difficult journey of contemporary Chinese poets represented by "Misty Poetry" and "New Generation Poetry" to break the rigid art system and pursue the ontological value of poetry. Based on the grand background of the pursuit of modernity in Chinese poetry in the 20th century, the author takes into account both the macro and micro levels, carefully sorting out the vivid landscape of this "new poetry trend" from "underground" to "above ground", as well as self-transcendence and "second betrayal", and discusses the significance of this important poetry trend in the history of modern Chinese poetry.

How to Be Modern, How to Make New Poetry: Proceedings of an Academic Seminar on the Modernity of Chinese Poetry

Wang Guangming

574K0

This book is a collection of essays discussing the modernity of poetry, with the theme of "How to modernize and create new poetry." In the development process of Chinese poetry, its modernity has shown a very rich and complex modality, the pursuit of novelty and dazzling, the intricacies between negation and affirmation. At the level of these modern landscapes, on the one hand, it shows that modernity has the characteristics of "perpetual motion" and instability, on the other hand, it also exposes many of its potential problems. The book is divided into several themes such as "The Pursuit of Modernity", "Language Strategies of Modern Poetry", "Modernity Issues in Modern Poetry" and "Modernity in Contemporary Poetry", respectively discussing the modernity issues in Chinese poetry.