Library

Through an in-depth textual reading of a series of representative novels by the famous writer Zhang Ping, such as "Sister", "Sacrifice to Wife", "Fashao Fenxi", "Skynet", "Decision", "Orphan's Tears", "National Cadres" and "Reliving Life", etc., On the one hand, it combines relevant biographical information, and on the other hand, it also incorporates the writer into the overall development and evolution of literary trends in the new era. It conducts a comprehensive and comprehensive study, and finally refines and summarizes the basic characteristics of Zhang Ping's literary writing. Zhang Ping's novel creation has gone through three different stages of development: the "Family Tragedy" series, "Social Issues Literature" and "Political Novels". He holds a literary view of writing for the common people and pays more attention to expressing the common people's livelihood sufferings. In terms of creative type, he is an excellent experiential writer. His literary creations are always closely related to important practical issues, and he always pays in-depth attention to and thinks about the sharp and fierce central conflicts of the times. In short, Zhang Ping is not only a writer of main themes, but also an excellent critical realist writer. In his long-term writing process, he not only created a series of characters with human depth, but also formed some special personalized characteristics in literary form.

The author of this book analyzes the influential writers and works that appeared in this year year by year from 2002 to 2012, providing readers and researchers with an overall picture of the creation of Chinese novels from 2002 to 2012. As a literary critic, the author's reading research interests have always been focused on tracking and criticizing the creation of novels in the current era. This "Novel Map of the New Century" can be said to be the embodiment of the author's achievements in novel research over the years.

This book is a close reading and analysis of the Mao Dun Literature Award-winning works by the famous contemporary literary critic Wang Chunlin. It includes his interpretations of 18 award-winning works that are widely welcomed by readers, such as "In the World", "Massage", "White Deer Plain", "Frog", "One Sentence is Worth Ten Thousand Sentences" and "Flowers". The Mao Dun Literature Award is one of the most authoritative and influential literary awards in contemporary China, representing the height of contemporary Chinese novel creation. Since its inception, the Mao Dun Literature Award has lasted for 40 years and has awarded nearly 50 novels with their own characteristics. Wang Chunlin has served as a judge for several important literary awards such as the Mao Dun Literature Award and the Lu Xun Literature Award. He has long been engaged in the research and criticism of modern and contemporary Chinese literature and has in-depth and unique insights into contemporary Chinese literature. In this book, he guides readers to appreciate and appreciate the rich connotation and artistic charm of these award-winning works from multiple perspectives such as the novel's structure, narrative techniques, language features, and main themes.

The smoke on the Bund is ten miles away, and Shanghai-style culture is growing together. Critic Wang Chunlin used a huge amount of texts as accumulation, focusing on ten novels by six contemporary Shanghai-style writers, and wrote "Ten Essays on Shanghai-style Novels". From Wang Anyi to Jin Yucheng, from Wu Liang, Fan Qian, Xia Shang to Tang Ying, "the most accurate writer about Shanghai", Wang Chunlin peeled off the cocoons of his works through careful reading of the texts, "seeing the most native essence of Chinese culture in the foreign-style Shanghainese in the alley." "The language used by Wang Anyi in "Tianxiang" can be said to be a kind of novel language that is full of elegance, simplicity, simplicity, timelessness and full of bookishness." "The most noteworthy aspect of "Flowers" is that Yu Jin Yucheng, with his years of hidden practice in constructing urban poetics, has made valuable efforts in the construction of modern Chinese urban poetics. Critic Wu Liang's first full-length novel, "Morning Glow" after his magnificent turn, constituted a particularly strong "Shanghai whirlwind" in the literary world. "... Wang Chunlin provides an in-depth and thorough analysis of the historical questioning and daily narrative in Shanghai-style novels, from the perspective of knowledge. From the fate and spirit of the molecules to the long and charming boudoir legend, from the former queen of the Wang Xietang to the erotic wars of Shanghainese in New York, we carefully combed the past and present of Shanghai-style literature, and discovered the continuation and inheritance of Shanghai-style culture that is lively, fragrant, and appreciated by both refined and popular people.

This book takes the founding and development of Northeastern University during the Republic of China as the main line of research. It shows the efforts and dilemmas of local forces in Northeast China toward modernization before the September 18th Incident. It also explores the responses and entanglements of the exile forces in Northeast China after the incident under the general trends of the era, such as the Anti-Japanese War, the struggle between the central and local governments, and the War of Liberation. It can be found from this that local forces have their own plans on how to develop the local area and deal with internal and external difficulties. Although this plan is full of regional characteristics, it is also full of a sense of mission, and thus merges into the torrent of development of the times.

"A Long Ode" is the latest collection of reviews by the famous literary critic Wang Chunlin. This book selects Jia Pingwa's "Ji Hua", Chi Zijian's "The Top of the Mountains", Zhang Wei's "The Alone Medicine Master", Ge Fei's "Looking at the Spring Breeze", Dongxi's "Tampering with Fate", Lu Xin's "Last Quarter Moon", Xu Zechen's "The Royal City is Like the Sea", Yi Zhou "Our Hesitation", Li Fengqun's "Strong Wind", Ai Wei's "The South", Zhou Daxin's "The Man Is Here", Sun Huifen's "Looking for Zhang Zhan", Fu Xiuying's "Moshang", Zhang Ji's "Monk", Xu Yigua's "Others", Li Shi Jiang's "Extraordinary", He Yuru's "Front Street and Back Street", Zhang Haohao's "Hemu", Qin Bazi's "Following Notes", Ye Wei's "Blessed Land", Lin Sen's "Guan Guan Jujiu", Pu Ge's "A Mouth of Mud", Li Yonggang's "The Widower" Excellent novels in recent years such as "My Laila" are taken as the objects of analysis, and their uniqueness is analyzed in a simple and profound way, showing the author's staged thinking on the creation of novels since the new century.

This book is Wang Chunlin's literary review of Jia Pingwa's novel "Ancient Furnace Theory". The manuscript provides a comprehensive and in-depth analysis of Jia Pingwa's masterpiece from the content narration and artistic presentation techniques of "The Ancient Furnace". Especially from the novel writing methodology, it provides guidance and on-site demonstration for readers, reflecting the literary and ideological stance of a mature literary critic.