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This book examines Chinese women's literature in the 1980s from multiple female perspectives, sorts out the background and resources for the generation of women's literature, analyzes the chaotic memory logic of women's ideology, and examines the form, characteristics and development trajectory of women's literature. At the same time, it points out how women's writing inherits the pulse of "May Fourth" women's liberation, how it responds to the guidance of Western modernity, carries out cross-border movement and time-space switching, thereby participating in the poetic expression of the spirit of the times and human appeals required by the mainstream discourse system, and gradually realizes the transformation after being stripped away from the original matrix, and displays the various postures and styles of women's passion, will, ambition and desire from the level of spiritual fugue, as well as images of self-imagination and cultural construction. It reveals the radical significance and limitations of the construction of female ideological aesthetics, and then through reflection and inspection, rediscovers the growth point of Chinese female literature and even the development of national justice in the new era.

This book focuses on combing through the diverse writing forms and thematic expressions of different writers in overseas Chinese literature since the 1980s while on the move, namely, the cause-and-effect motif of overseas Chinese literature, family and personal narratives, mothers and daughters in intergenerational ethics, the carving of movement and space, future science fiction and human existence, etc. It explains the characters that are isomorphic with the times, female self-imagination and meaning construction in gender dilemmas, the medium of existence and resistance in the ethical gap, and the construction of subjectivity between the matrix and the variant after movement. Further explore the spiritual posture, cultural pulse, multiple styles and subjective practices of literary writing in the moving time and space under the background of Chinese and Western cultures.

From multiple ecological perspectives and positions, this book examines the game between female literature and ecology since the 1980s, explores the survival and development status of female self, and is concerned about the relationship between women and nature, men, literature, society, culture, gender and other environments. From sorting out the background and resources of Chinese women's ecological writing, to analyzing the current situation and development trajectory of women's ecological writing, to identifying the essential differences with Western ecological women's writing, it reveals the aesthetic form and internal switching of Chinese women's writing. Examined the subject posture of female ecological writing. Furthermore, it is reiterated that the roadmap for women's ecological writing lies in the fact that female writers use ecological aesthetics to reflect on themselves, social reality and female reality, accept local context and ecological wisdom, abide by ecological laws and female principles that are harmonious with nature, men and society, and move towards the construction of female ecological aesthetics and order of survival, aiming to recast the spirit of new female realism.

Ruijun met three men at the beginning of his life and encountered three completely different love affairs. Jun Yu lets her taste the sweetness and pain of first love; Zhang Dai lets her get into trouble with a married man; Yong Jian lets her taste the bitterness of secret love. Three emotional stories are drawn from three men, which lead to a touch of sadness. A girl's thoughts are locked in her heart. The author uses delicate and graceful writing style and starts from real details to tell you a love story that is mixed with sweetness and pain, romance and bitterness. Let you feel a touch of sadness between the lines and appreciate a true and touching love story.