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满地江湖吾尚在：章太炎与近代中国（1895～1916）
Sun Depeng
Zhang Taiyan deserves a great biography and those sufferings. These sufferings have become more pure in his writings and have never been lost: from "Book of Dissatisfaction" and "Explanation of the Republic of China" to "The Theory of Evolution", "Five No Matters" and "The Theory of Four Confusions", and then integrated into "The Theory of Equality of Things", Lu Xun's common people and peasant pride, and in "The Theory of Breaking Evil Voices", "The True Story of Ah Q" and "The Lonely", they joined forces to defeat time. As his name suggests, Zhang Taiyan has a pair of fiery eyes, with a knight-errant temperament. How do these fiery eyes observe China's legal reforms? Zhang Taiyan is an enigmatic revolutionary with good knowledge and a foundation in Buddhism. He writes about Buddhist compassion in Taoist style. What kind of style is this? Zhang Taiyan is infatuated with the old culture, like a rich man in trouble who sees others enjoying themselves in his old house through the window lattice, always with a deep sense of dignity. How do you view this sense of dignity that is common among Chinese intellectuals?
Zhang Taiyan deserves a great biography and those sufferings. These sufferings have become more pure in his writings and have never been lost: from "Book of Dissatisfaction" and "Explanation of the Republic of China" to "The Theory of Evolution", "Five No Matters" and "The Theory of Four Confusions", and then integrated into "The Theory of Equality of Things", Lu Xun's common people and peasant pride, and in "The Theory of Breaking Evil Voices", "The True Story of Ah Q" and "The Lonely", they joined forces to defeat time. As his name suggests, Zhang Taiyan has a pair of fiery eyes, with a knight-errant temperament. How do these fiery eyes observe China's legal reforms? Zhang Taiyan is an enigmatic revolutionary with good knowledge and a foundation in Buddhism. He writes about Buddhist compassion in Taoist style. What kind of style is this? Zhang Taiyan is infatuated with the old culture, like a rich man in trouble who sees others enjoying themselves in his old house through the window lattice, always with a deep sense of dignity. How do you view this sense of dignity that is common among Chinese intellectuals?