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This book provides an all-round review of Chinese literary criticism and research in the 20th century from the aspects of literary criticism, cultural studies, and Chinese and foreign literary theories.

This book is a long essay that not only vividly reproduces the scene of the Majiang naval battle more than a hundred years ago, but also carefully explores the many complex threads hidden behind this historical event. Revolving around a half-hour battle, the work involves a series of famous historical figures, such as Zuo Zongtang, Shen Baozhen, Lin Zexu, Zhang Peilun, Li Hongzhang, He Jing, etc. This book is richly illustrated with both pictures and text. It not only has a grand and broad historical vision, but also depicts and speculates on historical nuances and personal emotions. It is undoubtedly of great and far-reaching significance to clarify the context of success and failure through the smoke and dust of history, illuminate the complex inner world of the characters in major historical events, and promote the spirit of patriotism.

This book can be regarded as a companion piece to "The Gorgeous Shackles". This is a collection of reviews, which involve reviews of real-life cultural events, novel texts, and film art. This collection of articles has a distinctive feature, that is, it is short and concise. Each review can be as long as five or six thousand words, or as short as three or four thousand words, and all the reviews finally fall into the daily life level, so they are more readable.

This book contains 41 excellent prose works written by the author in recent years. These works not only commemorate major historical events, but also eulogize contemporary life, depict exotic customs, and pay attention to ordinary people.

Perhaps, most people live like the author. Although they are not smart, they are sincere; although they make mistakes, they are calm. If it takes time, give yourself some time. It's not a big deal to live unwisely. In this world, smart people understand chaos, but you and I would rather be awake.

The brush strokes are refined, the brushwork is delicate, and the thoughts are profound. I was quite annoyed at first reading, but after reading it carefully, I fell in love with it more and more.

This book contains the author's in-depth analysis of the representative works of famous contemporary domestic literary writers, which has a pioneering influence in the cultural sense.

This book shows the author's thinking on literature and a series of issues related to it, revisits the proposition of "literariness", and strives to clarify the dialectical relationship between literature and daily life, modernity, history, the present, etc., And points out that the intervention of the nameless energy of daily life in literature is dismantling the established traditional concepts, and literature has deservedly assumed the historical mission of cultural vanguard, and is very theoretically profound. This book not only sorts out traditional literary concepts, but also advocates a new literary and even cultural concept.

This book is a selected collection of literary and cultural criticism papers by the famous literary theorist Mr. Nan Fan, which represents the highest level of his critical writings. It is a self-selected collection of papers by Mr. Nan Fan who has been engaged in literary criticism and cultural criticism for more than 20 years. This book focuses on the core issues of Chinese literary theory, contemporary Chinese literary trends, writers' incisive comments, and critical texts that have an important influence on classic works in the history of contemporary Chinese literature. It is an important gain for the study of contemporary Chinese literature.

This book collects scholar Nan Fan's recent literary criticism, cultural criticism, lecture notes, dialogues, etc., Divided into five series. The discussions respectively cover: the impact of technology and economy on literature and culture; the study of important contemporary writers and works; the development of literary criticism and literary theory; the connection between region and cultural tradition; and the experience and reflection of literary research and literary creation. The language of the article is lively and the views are clear; the discussion is rigorous and clear, and full of the beauty of thinking.

The specific content is divided into three parts: The first part is "Literature: Aesthetic and Historical Perspectives", which mainly focuses on the "aesthetics" and "history" of literature. The existence of "aesthetics" is undoubtedly an important reason why literature has not been covered by various disciplines such as philosophy, history, economics, and sociology. Strong aesthetic pleasure appeals to sensibility, but aesthetic experience is not only the psychological tide brought by several works of art, but may also be converted into another kind of historical cognition. Of course, the so-called historical cognition includes different perspectives and concepts. Aesthetic intervention is to form an active dialogue with these perspectives and concepts, and this dialogue process is a "game" process. The second part is "Classic and Modern: Narrative and its Virtual Space". Compared with the elegance and restraint and "gentleness" of classical literature, the current public is more willing to enjoy the legend, suspense, twists and turns provided by the narrative genre. Modern "narratology" also goes far beyond the theoretical perspective of structuralism and has richer connotations. With modern science and technology so powerfully involved in contemporary narratives, the Internet is creating various new narrative discourses. Therefore, current literature is facing great challenges. The third part is "Interpretation: Opening and Boundaries". The core issue involved in the modern turn of hermeneutics is "opening \u002F boundaries". Literary criticism is a special branch of interpretation, and because of interpretation, it has gained access to historical depth. This part mainly starts from the perspective of literary criticism and repeatedly debates around the "open \u002F boundary", because how to interpret it will ultimately involve the form of spiritual shaping.

This book explains the structural characteristics of Chinese literature in the 1980s, as well as the various relationships and internal conflicts hidden within its structure. The whole book interprets the conflicts existing in Chinese literature in the 1980s from the aspects of "survival reality", "spiritual dimension", "imaginary realm", "dissension of literature", "decomposition of symbols" and "basis of criticism". In this book, the author adopts the relatively rare synchronic structural analysis method to describe the complexity of multiple cultural conflicts originating from the three "sources of value" of pre-modernity, modernity and post-modernity after the lifting of cultural ban in the 1980s. The appendix of this book is the author's two lectures on cultural and literary theoretical issues. They are articles of high academic level and are a new and important supplement to the content of this book.

Through the investigation of writers and works with rich connotations such as Wang Meng, Zhang Xianliang, Beicun, Han Shaogong, "Shouhuo", and "White Deer Plain", this book explores how the turning point of revolutionary discourse caused changes in the relationship between intellectuals and the public, and how this change opened up a rich space for exploration, in order to explore the hidden and close connection between texts and history.

This book is a collection of prose and essays written by the author in recent years. The author captures the things we take for granted in contemporary social life, such as the Internet, television, travel, etc., And uses a calm and objective approach to reveal the absurdity in our daily lives. He thinks at the intersection of tradition and modernity and examines contemporary culture. It has a strong contemporary color and the poetic beauty of classicism.

"Classic Book Series Selected by Famous Writers" is personally selected by famous contemporary literary figures and is a high-quality selection of masterpieces of contemporary literature. This book is a self-selected collection of Nan Fan's works, including Nan Fan's representative prose works. These works fully demonstrate the artistic characteristics of Nan Fan's acclaimed "intellectual prose", demonstrate his rich knowledge, and can inspire readers.

This book is one of the "Going to Campus and Going to Classics" series. It mainly collects more than 50 works by the famous writer Nan Fan, including Gunshots in the Year of 1911, Memory of Overweight, A Writer's Community Life, Village Notes, and Four Gentlemen at Home, etc. These works are rich in content, go beyond lyricism, and are coldly intellectual. They aim to break through the obscuration of discourse, and treat all historical achievements with the spirit of thorough deconstruction and construction of power discourse.

This is the nostalgia and recollection of one generation for another generation after decades of history. This is the author's re-perception of the word "family", and it is also a deep understanding of current life. This is a son's longing and imagination for his parents: memories, sighs, emotions, guilt, confusion and inner pain. Carrying an overweight of memories, this book is like a small boat floating in the rivers and lakes. The work received wide acclaim after it was first published and won the Chinese Media Literature Award.

This book vividly outlines the images of five very different literary intellectuals in the same historical time and space by examining the background, origin, lineage, ideology and other aspects of the five literary concepts of typicality, modernism, bottom class, petty bourgeoisie and nonsense.

Keen artistic feelings, rich imagination and association, sharp cutting-edge approach, calm and tranquil writing style, free and easy language with outstanding literary talent. What we read here is another Nanfan: picking up ordinary little things in daily life, maybe just out of habit, turning them over and over, tasting them, and even taking them apart to explore them with interest. In relaxed reading, we get fresh insights and calm and elegant artistic enjoyment.

It discusses the relationship between the body and the closely related objects in life, and the body and the surrounding world, revealing the tension that exists between modern civilization and the body.

Starting from the perspective of representation and meaning production, this book delves into a variety of topics in related fields such as literary concepts, literature and symbolic structure, literature and modernity, and cultural studies. In the author's theoretical landscape, many issues such as literature, revolution, intellectuals, the masses, nationality, ideology, modernism, and the subaltern form a complex cultural network that is interconnected and echoes each other. The author not only devotes himself to the historical description of these themes, but also pays attention to the structural analysis. These words are a precise summary of the author's research results in the past ten years. They relatively intensively reflect the author's broad humanistic vision, in-depth theoretical analysis ability and sharp thinking, and have produced a great academic response.