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This book focuses on the historical existence and dynamic development of naturalism in Britain, closely follows the works of representative British writers in the late 19th and early 20th centuries, and uses the social cognition, humanistic examination, aesthetic pursuit, rhetorical art, and morphological evolution closely related to British novels and naturalism as the entry point. , Using a research perspective that combines macro and micro, in-depth analysis of the spread and acceptance of naturalism in the UK and the actual meaning of the name, analysis and exposition of the multi-dimensional existence form of naturalism in British novels, and exploration of the unique connotation, text form and artistic value of naturalism in British novels. This book can provide a useful reference for systematically understanding and grasping the existence form, artistic value and literary history writing of naturalism in British novels, and has high academic value.

This book focuses on the literary historical facts of the spread of late-Victorian naturalism in Britain. It takes the critical debates and interactive mechanisms in the spread of French naturalist writers' works in the UK as the research object. It mainly uses theories such as genetics, communication, and reception aesthetics. On the basis of exploring the "worldliness" of naturalism, it systematically conducts a multi-dimensional investigation and in-depth exploration of the process, morphological characteristics, reasons for resistance, effects, and historical evolution of the spread of naturalism in the UK, and outlines the three-dimensional scene of the spread of naturalism in the UK.