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Chu Feifan and Wen Wan grew up in the same college, but when they were entering college, Chu Feifan was ordered to take over the family consortium and became a new business upstart. Wen Wan's parents divorced, and she ran away in anger, and met Da Fang and Xiao Fang during her wanderings. After Chu Feifan found Wen Wan, the two confessed their feelings, and the two came together. However, Liang Li, the young boss of the BR Group with a mysterious background, is also determined to win Wen Wan. He goes north to Beijing with the intention of establishing a foothold in the mainland business world. The consortium controlled by Chu Feifan is in danger. During the misunderstanding with Chu Feifan, Wen Wan and generous embarked on the road of wandering. At this time, Wen Wan and generous did not realize that this wandering journey was about to bring about earth-shaking changes in their lives...

Does the development of human civilization rely on science or art. He is a scientist, she is an artist, and they are in a tit-for-tat relationship. "Do you believe in love?" She asked. He looked back at the vast starry sky: "I only believe in science." She was a little disappointed. He pulled her to the radio telescope: "Look, this is the red shift, which proves the existence of the Big Bang! 13.7 Billion years ago, a strange particle exploded, ejecting countless dust, light and energy, forming the universe. One of the insignificant particles of dust formed the solar system and 7 billion human beings, including you and me... Do you know what this proves?" "Huh?" She looked confused. "Prove that I love you."

This book is based on the cosmic horror system constructed by Howard Philip Lovecraft, and systematically combs this far-reaching modern mythological kingdom. The book starts from the chaotic singularity of the blind and foolish god Azathoth, dismantles the intertwined symbolic network between the Old Ones and the Ancient Gods, and reveals the human cognitive dilemma behind the collage of Cthulhu's octopus head and bat wings. The book provides an in-depth analysis of the fragmented narrative code of the "Necronomicon", showing how the parchment scrolls create immersive horror through forbidden knowledge, and form a cross-time and space dialogue with Borges' fictional encyclopedia. In the language dimension, the author decodes Lovecraft's original "ineffable" rhetorical system and shows how oxymorons such as "non-Euclidean geometry" can tear apart the boundaries of rationality and create an aesthetic shock that transcends Edgar Allan Poe and Ambrose Beerce. What is even more groundbreaking is that the book traces the variation of Cthulhu elements in the Eastern soil - from the grafting of the cultivation system with the pollution of the old gods in "The Lord of Mysteries" to the use of Nuo opera masks to carry Nyarlathotep's Thousand Faces Fable in "The Strange Immortal", revealing how Chinese Cthulhu transforms cosmic horror into cultural identity anxiety. The book ultimately points to the dilemma of modernity in the Cthulhu Age. It uses the SAN value mechanism of the board game as a metaphor for the crisis of information overload. It uses the city of Yharnam in "Bloodborne" to reflect on technological alienation and complete the doomsday warning of ecological disasters.

A collection of heart-warming youth stories by Yu Yan, the popular author of "Hua Huo" magazine. Twelve affectionate stories, twelve kinds of warm daily life. Twelve stories come from the world, from life, and from insights. Give it to you who don't believe in love, maybe it will make you feel the long-lost love; give it to you who believe in love, maybe it will make you love each other more. In this fickle world, let me and you see eternity.

The well-known writer Yu Yan's ancient novels have amazed countless readers and set a historical record of more than 100 ancient novels being reprinted in periodicals. A brand new ancient world is constructed with beautiful ancient words, unbridled imagination and unforgettable emotional core. The characters in the book are pure and true, and the stories are both generous and tragic, but also poetic and romantic. Only the remaining words from the dream of Jianghu in childhood can write about such a wanton and splendid Jianghu, and describe the Jianghu in every young man's heart.