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Nüshu, as a peculiar writing exclusively for women, has attracted attention at home and abroad since it was accidentally discovered by Professor Gong of Wuhan University in the 1980s. However, due to the local custom of "burning books after death" and the lack of special storage institutions for Nüshu, very few documents have been preserved. As one of the natural inheritors, Ni Shi devoted herself to the rescue of Nüshu culture without hesitation. From the Nüshu Academy to the "Chinese Nüshu Village", and subsequently to the world stage, she was rated as "a shining pearl" by many scholars.

[This book won the Golden Seven Cat Award in the Fifth Realistic Essay Contest of Seven Cats] [Achieved physical book publishing cooperation with Zhejiang Literature and Art Publishing House] Between the blue sea and blue sky, the ancient ceremony of sending off the king's ship carries people's awe and gratitude for the ocean. The novel mainly tells how the two protagonists, Tao Siyan and Lin Qixiao, adhere to and inherit this unique maritime cultural heritage in the wave of modern society. In the process of exploring the historical significance of the King's Ship, they met all kinds of people, from "boat people" who adhered to tradition to businessmen pursuing modernization. Everyone gradually understood that this was not only a respect for the sea god, but also a profound ode to life and nature.

In 1999, a wind called "wealth" blew the Cheng brothers from Sichuan to Guangzhou. In Xintang's denim factory, there is always a kind of blue velvet dust floating in the air. It clings to the workers' lungs and is embedded in their fate. As a typical Chinese-style "internal friction" family, everyone in the Cheng family is struggling in the blue ocean of the times and dragging each other down. Daughter Cheng Zhizhi decided to completely wash off the "blue" from her body. Her "spiritual severance" was not a simple escape, but a determination to explore the possibility of a new type of family relationship after the mess. This is a tragic journey about how we change from "sons and daughters of the soil" to "workers in the factory" and finally become "ourselves". The ups and downs of the Cheng family over the past thirty years are the epitome of my country's transition from rural society to industrial civilization. This is not only a history of family struggle, but also a profound epic of a generation pursuing individual dignity in the wave of the times, from fragmentation to reconstruction.