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The tear-jerking masterpiece of the year, the TV series of the same name is about to start filming, starring Lu Han and others. Please prepare tissues before reading. Xia Yi, who graduated from the Department of Management at the University of California, suddenly received the bad news that his sister had died in a car accident and returned home sadly. She never imagined that her sister would leave her a three-year-old child who did not know who his father was. Due to his lack of identity, Xia Yi was forced to resign from his job abroad and stay in Beijing. She applied for a job at the company of Gao Xiang, who had had several conflicts with her. She went from misunderstanding and rejection to accepting each other, during which she experienced many obstacles and hardships. Just when Xia Yi thought he had found true love, he unexpectedly discovered that Gao Xiang was Duoduo's father, and almost became the "Chen Shimei" whose brother-in-law once abandoned his wife and son. Under the constraints of truth and deception, morality and ethics, family affection and love, they staged scenes of wonderful emotional dramas in which love and hate are intertwined.

In the twelfth year of the Republic of China, Wei Bingkun, an old Chinese medicine doctor in Fengtian Laobei Market, died suddenly of the second daughter-in-law of wealthy businessman Li Weiliang due to a "misdiagnosis". In order to avoid her father's imprisonment, Wei Shuya agreed to marry Li Dongsheng, the sick son of the Li family's second son. The cold and dark side of the mansion makes it difficult for the kind and simple Shuya to adapt to: the stern and arrogant father-in-law, the sad Buddhist mother-in-law, the husband who has been bedridden for many years and turns a blind eye to her, the smiling and cruel elder sister-in-law, the weird and tricky sister-in-law, the rebellious and unruly brother-in-law, as well as the various old-fashioned rules in the house, and a mysterious old house that often makes desolate screams, which makes her depressed to the point where she wants to escape from this place of right and wrong several times. In an era of patriarchal autocracy, how can women break away from the many layers of restraints and shackles to pursue the life they want? The established pattern of no thought, no desire, and no extravagance has restricted their pursuit and yearning...

"No cp + murder + escape + non-brainless fun + intelligence agency system + slow pace" Sui Jinhuan was taken to a parallel world by the intelligence system. Here, she needs to face all kinds of perversions. Fugitives, sociopaths, serial killers, train restaurant poisoners, arsonists, cannibals... The intelligence system seems powerful, but in fact it is not reliable at all. You still have to rely on yourself at critical moments. And what she has to do is very simple. Live, live with the victim. Let all criminals wear silver handcuffs.