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Wang Fuzhi was one of the important thinkers and poetic commentators in the late Ming and early Qing dynasties. He studied the Book of Songs with the thoughts and emotions of a thinker and philosopher, and expressed his unique thoughts in a unique way. This is a peak in the history of research on the Book of Songs. The study of Wang Fuzhi's "Book of Songs" can not only present the interpretation of classics during the social revolution, but also demonstrate the complex relationship between academics and politics, society, and people's livelihood, highlighting its important academic thoughts and contemporary significance. This book selects Wang Fuzhi and his study of The Book of Songs in a special historical period as the research object. It strives to reveal the specific reasons and academic inheritance of Wang Fuzhi's study of The Book of Songs on the basis of systematically sorting out the relevant academic context. On the one hand, it attempts to break the traditional research ideas of poetics and aesthetics, based on the text of The Book of Songs, and pays attention to Documentary basis; on the other hand, we strive to integrate literature, literature, culture, aesthetics, philosophy and other aspects into one, and study it more systematically from six levels: cultural background, poetic purpose, basic methods, poetic concepts, aesthetic thoughts and life feelings, and present the full picture of Wang Fuzhi's study of "The Book of Songs" in a three-dimensional way.