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Hu Die
Realistic Fiction胡蝶
Mumudiiii
The protagonist of this book is "I", and he is not given a name, so there are many subjective feelings of "I" in the story. At first I didn't want to write this work as a romance novel, and that's what I did. I can't stand all the urban literary and artistic romances nowadays. The protagonist lives in a prosperous city with many high-rise buildings. He is well-dressed but laments that he is trapped by money. For a while, it was either life or death, crying and shouting at every turn, as if life could no longer go on without that period of love. The whole story is life-or-death, and it reflects everywhere that the author is not disturbed by wind and rain, but still "difficultly" describes how lonely and miserable the protagonist is. Totally unable to empathize, maybe this is the love story of urban white-collar workers. I want to write something different. I don't want to write about how love begins. I want to write about how love ends. And the end of love is not the kind of settling old scores. It's always how you and I were so beautiful before and how we were separated for whatever reason. That's not interesting. I want to write about how "I" got out of the confinement of myself and how I moved towards love step by step. My idea is, no one stipulates that love must last for two people, right? When you realize the existence of love, you are in love, even when you are breaking up.
The protagonist of this book is "I", and he is not given a name, so there are many subjective feelings of "I" in the story. At first I didn't want to write this work as a romance novel, and that's what I did. I can't stand all the urban literary and artistic romances nowadays. The protagonist lives in a prosperous city with many high-rise buildings. He is well-dressed but laments that he is trapped by money. For a while, it was either life or death, crying and shouting at every turn, as if life could no longer go on without that period of love. The whole story is life-or-death, and it reflects everywhere that the author is not disturbed by wind and rain, but still "difficultly" describes how lonely and miserable the protagonist is. Totally unable to empathize, maybe this is the love story of urban white-collar workers. I want to write something different. I don't want to write about how love begins. I want to write about how love ends. And the end of love is not the kind of settling old scores. It's always how you and I were so beautiful before and how we were separated for whatever reason. That's not interesting. I want to write about how "I" got out of the confinement of myself and how I moved towards love step by step. My idea is, no one stipulates that love must last for two people, right? When you realize the existence of love, you are in love, even when you are breaking up.
Drink the West and East
Realistic Fiction饮散西东
Mumudiiii
The beginning of the novel is the beginning of the protagonist Hu Le's real transformation from a student to a member of society. Before that, he had worked as a financial officer in a small company, but was fired for no apparent reason. Nowadays, he has nothing to do and wants to work, but he has misunderstandings about his superiority and inferiority, but he doesn't think so. This book is about ordinary things in the world, but there is no truly ordinary person in the story. In order to leave all the direction of the story to the characters, there is no psychological description, and a lot of blank space is left for the scenery, actions, etc. Where are the characters? The moon waxes and wanes. Why you say something like this and do something like that is up to the readers.
The beginning of the novel is the beginning of the protagonist Hu Le's real transformation from a student to a member of society. Before that, he had worked as a financial officer in a small company, but was fired for no apparent reason. Nowadays, he has nothing to do and wants to work, but he has misunderstandings about his superiority and inferiority, but he doesn't think so. This book is about ordinary things in the world, but there is no truly ordinary person in the story. In order to leave all the direction of the story to the characters, there is no psychological description, and a lot of blank space is left for the scenery, actions, etc. Where are the characters? The moon waxes and wanes. Why you say something like this and do something like that is up to the readers.