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"Research on Women's Poetry Society in Qing Dynasty" is my country's first comprehensive and comprehensive academic monograph on the formation of women's poetry in Qing Dynasty. It is also the final result of the National Social Science Fund project. This book is based on the two original theories of "layout restoration" and "scene restoration" in historical research, and takes blood relatives, poetic friends, geography, poetry activities and poetry creation as the main supporting points to study nearly 30 important or distinctive women's poetry societies in the female poetry circle of the Qing Dynasty. The book not only focuses on the objective content such as the evolution of the Qing Dynasty Women's Poetry Society, the context of the times, historical traditions, and organizational structure, but also focuses on exploring the ontological content such as the membership organization of the poetry society, poetry singing, poetic exchanges, and poetry creation tendencies and characteristics. The book also pays attention to commenting on the main poetic characteristics of the Qing Dynasty Women's Poetry Society, such as the "extreme prosperity", "region and familialization", and the "female writing" of poetry. The book also conducts detailed research on the family origins and poetic contributions of the leading figures of the Qing Dynasty Women's Poetry Society, as well as some doubts and anecdotes about the Qing Dynasty women's poetry circle. The book strives to use multiple cuts and perspectives to deeply and comprehensively display the overall style and historical reality of the Qing Dynasty Women's Poetry Society.