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The Hometown of Wolves and Songs
General Fiction有狼有歌的故乡
Mo Hasbagan
This book selects three short stories and short stories written by the representative Mongolian writer Mo Hasbagan and translated by the famous Mongolian translator Hasen. Hasbogen, who was born in the Ordos grassland of Inner Mongolia in 1950, deeply loves the land under his feet, and even more loves the Mongolian people and creatures who were born and raised here and have always been loving and tolerant despite the changes in history: whether it is sticking to the sand in "Hometown with Wolves and Songs". The old man's family in the depths of the desert is still the simple but wise Bao Rihu in "Deep in the Black Dragon and Gui Desert", or the clever and wise captain Tao Limu in "Re-Education". Their pure and firm unchanging original aspirations demonstrate the author's simple and rich Mongolian aesthetic concept. Hasbagan uses dialogue to advance the plot without appearing stagnant, and his writing is broad-minded but well-founded. With his proficient and exquisite writing skills, he eliminates the ghosts of history, searches for and explores the eternal shining bright spots in human nature, and uses this to illuminate the world. The Mongolian translator Hasen used his superb translation skills to perfectly and accurately restore the spiritual and spiritual aspects of the book.
This book selects three short stories and short stories written by the representative Mongolian writer Mo Hasbagan and translated by the famous Mongolian translator Hasen. Hasbogen, who was born in the Ordos grassland of Inner Mongolia in 1950, deeply loves the land under his feet, and even more loves the Mongolian people and creatures who were born and raised here and have always been loving and tolerant despite the changes in history: whether it is sticking to the sand in "Hometown with Wolves and Songs". The old man's family in the depths of the desert is still the simple but wise Bao Rihu in "Deep in the Black Dragon and Gui Desert", or the clever and wise captain Tao Limu in "Re-Education". Their pure and firm unchanging original aspirations demonstrate the author's simple and rich Mongolian aesthetic concept. Hasbagan uses dialogue to advance the plot without appearing stagnant, and his writing is broad-minded but well-founded. With his proficient and exquisite writing skills, he eliminates the ghosts of history, searches for and explores the eternal shining bright spots in human nature, and uses this to illuminate the world. The Mongolian translator Hasen used his superb translation skills to perfectly and accurately restore the spiritual and spiritual aspects of the book.