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The earthy words in this book are permeated with the charm of nostalgia. This is the hometown and the countryside in the memory of the literati. The people and the stories that happened in the countryside are the feelings that the wanderers far away in the world cannot let go. This book quotes Su Shi's words, and the emotions contained in the article can also be summarized by this sentence.

This book tells the author's recollections of the landscape and scenery of his hometown, and the lines reveal a deep sense of homesickness.

This book uses affectionate words and unique and delicate brushwork to detail the auspicious moments that have disappeared in the cracks of time.

This book contains ten stories, which focus on ordinary people and tell every detail of their ordinary lives. The plain language contains the wisdom of life.

This book aims to comparatively study cultural studies and Chinese and Western cultures, and explore the development direction of Chinese culture. It had a major influence on the cultural and ideological circles of the 1930s and 1940s, and it still has an inspiring and guiding role to this day. Chen Xujing used the theories of Western anthropology, sociology and cultural studies to put forward fundamental concepts about culture. Based on this, he introduced and studied the three factions on Chinese and Western cultural issues at that time, namely those who advocated the full acceptance of Western culture, those who advocated returning to China's inherent culture, and those who advocated compromise, thereby exploring where the way out for Chinese culture lies.

This book describes the growth of all things in the world in four different seasons: spring, summer, autumn and winter, as well as the authors' moods in different seasons.

Through those vivid and fresh words, the authors of this book explore those years that have disappeared and will never be looked back.

This book is a collection of the author's comments and reflections on the works or speeches of writers born in the 50s, 60s and 70s. Through his own words, the author writes about his unique insights into the works of writers born in the 1950s such as Wang Anyi, Shi Tiesheng, and Mo Yan, writers born in the 1960s such as Chi Zijian, Mai Jia, Xue Mo, Dongxi, Wang Hua, etc., And writers born in the 1970s such as Qiao Ye, Zhao Xiaozhao, Cao Yong, and Yu Yiming.

This book tells the story of the authors cooking green plums to make wine and frying snow to make tea, fully describing the grace and charm of tea and wine culture.