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My poetry writing does not strictly follow the requirements of standard rhyme books such as "Peiwen Yunfu". Instead, part of it is written in accordance with ancient poetry, and most of it is written in accordance with the basic requirements of modern poetry. However, as far as modern poetry is concerned, the vast majority of poems are only written according to the rhyme and oblique standards of the finals and tones in the "Chinese Pinyin Plan". Therefore, in the eyes of experts in modern poetry, these works are not poetry in the strict sense. But I think that if we want to carry forward the classics, we don't have to stick to the old rhymes that are difficult for modern people to master and write poems. Instead, we must follow the trend of the times and advance with the times. We can write poems according to the "New Chinese Rhymes" compiled by the Chinese Poetry Society. The "Hanyu Pinyin Plan" has been promulgated and implemented by the State Council for more than half a century. It has long been accepted and mastered by the people in terms of phonetic notation of Chinese characters, promotion of Mandarin and Chinese information processing. However, in the specific practice of poetry creation, I feel that "Chinese New Rhythm" is more in line with the needs of modern and contemporary poetry lovers. What is more important is that when writing poetry, it should be mainly about expressing emotions, and there is no need to insist on being even and oblique, so as to cut it off to fit the shoes, because poetry is based on emotion and thought as its essence.

After my first collection of essays "Viewing Everest" and a collection of poems "Selected Poems of Qingfengzhai" were published in 2006 and 2011, they aroused a strong response in my hometown, workplace, relatives and friends, and received full recognition and encouragement, which made me feel very gratified.