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The large playground of Dongfang Primary School is outside the fence. Open a small side door on the right, get out, and your eyes will suddenly open up. The so-called playground is a huge irregular soil flat. A large sand pit was dug in the front left for students to use for long jump. A straight 100-meter runway was created on the left side of the bunker - it was just a matter of tamping the soil, spreading fine sand, and using cement to build a three-inch-high boundary line on both sides. There is also a basketball stand - a giant one-arm made of reinforced concrete, with the upper end extending two feet forward, holding a backboard like a shield, standing alone under a slope on the right side of the playground. The soil slopes connect to the graves, and graves of various sizes spread along the wall of the county machinery factory toward Dongfang Primary School. Most of the graves have steles made of cut bluestones erected in front of them, and these graves are usually relatively full; a few graves without steles are thin and short, and some are about to sink into the ground, but they still stubbornly raise their backs, showing their presence that cannot be ignored.

"There is a Spirit in the Mountain" Chen Quan, deputy director of the Tourism Bureau, is determined to develop Yao Village. Because of his girlfriend, he met the singing king Uncle Dasheng. He was moved by his singing and hoped to promote him to the throne of an art master and use this as a selling point to develop Yao Village. Uncle Dasheng tried his best to avoid the world. Cheng Quan tried to persuade him again and again, and Uncle Dasheng finally retired to the mountains and forests. This article uses the interaction between Cheng Quan and Uncle Dasheng to hint at the dialogue between civilization and tradition, the collision between utilitarianism and indifference, and expresses the author's respect and hope for the broad-minded and pure reclusive life attitude.

This book is a collection of novels by local writers with the theme of growth. The twelve short and medium-sized stories are all set in Feilong County, a small southern town. The author uses a cold, precise and poetic style to depict a group of county teenagers from different classes, and exquisitely conveys the complex and subtle beauty, pain and confusion of growing up.

"Legend of the Witchland" is a modern anecdote about rural areas in southwestern Hunan. It includes astonishing strangers, psychic masters, "cave gods" and other heretics that many women are willing to surrender to, as well as Luban Shu, Meishan Method and other witchcraft that people in southwestern Hunan have believed in for generations. All of them are surprising and confusing. The lifestyle and spiritual model that have been passed down from generation to generation and are closely connected with the gods of nature are gradually changing or even disappearing under the agitation of modern civilization...

Ma Xiaoquan was born in Longhui County, Shaoyang City, Hunan Province in 1978. He is a national first-class writer, a member of the Chinese Writers Association, and a student of the 8th Advanced Research Class (Young Writers Class) and the 28th Advanced Research Class (Postgraduate Class) of Lu Xun Institute of Literature. Now he is a professional writer of Hunan Provincial Writers Association. His works have been published in "Contemporary", "Harvest", "Tianya", "Flower City", "Furong" and other journals, and have been reprinted in anthologies of various journals. He has published novels "Angry Youth", "Bank Files", "Legends of Wu Di", and a collection of poems "Three Dimensions". He has won the "Contemporary" Literature Award and the Hunan Youth Literature Award. Some works have been translated into English and French. The water of the lake is blue, and the rhododendrons in the back mountain are in full bloom again, flowing with the crimson blood of the girl. I have walked by the lake countless times in the past two years, but this was the first time I came back to the lake - I am always skeptical about being surrounded by water - but she insisted on coming.

In the 1970s, people in Beiping had to go to Shuangjiangling Coal Mine forty miles away to pick up coal. The coal is fragmented coal, and the mines process it as defective coal, which costs one yuan per basket. You can install it vaguely, or you can step on the coal tightly. Anyway, the price is the same - it depends on how much you can choose. When I was fifteen years old, I felt that I had enough energy, so I shouted to help my family pick coal. Dad squatted on the corner of the field, slowly turned his head, glanced at me, said nothing, and turned back again. This sight made my blood boil, and I screamed even more resolutely. My mother said, Shitouzi, can you do it? I almost jumped up and bent my arms, trying to get those poor muscles to form. Not wanting to dampen my enthusiasm, my mother told my father that Shitou was already this big and had been eating for two years, so she asked him to give it a try.

This book contains one hundred poems. The author breaks the artificial barriers between new poetry and old-style poetry, and uses simple, quiet and sophisticated creations to question and counterattack the break between vernacular poetry creation and old-style poetry during the New Culture Movement. The classic poetry style runs throughout the book, which not only modernizes traditional themes such as landscapes, nostalgia for the past, chanting history, traveling, giving gifts, expressing one's aspirations and talking about Zen, but also injects the concise form and ethereal charm of old-style poetry into the body of vernacular poetry, straightening out the relationship between ancient and modern Chinese poetry.

This book is a collection of poems. The work is divided into three parts, compiling 87 poems by the poet under the titles of "Mirror of the Times", "Whispers and Whispers of the Soul" and "Secret Tenderness". The poems have beautiful words and fluent language. The meanings and artistic conceptions expressed in the poems have relatively deep intentional thinking, giving people endless imagination space.