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Lu Yin is a female writer who entered the Chinese new literature world with "problem novels". As the first generation of female writers after the May 4th Movement, her thoughts, works, and life pursuits played an enlightening role in awakening the consciousness of modern Chinese women and contributed to the liberation of modern women. Her works are good at using epistolary, diary and other novel forms, such as: Mary's Diary, Old Friends on the Seaside, etc., Which truly describe the struggle of women in the early twentieth century, unfold the passionate and determined life exploration and pursuit of the novel protagonist, and convey rich emotions, allowing readers to understand life. Through the author's writing style, it epitomizes the struggles of female intellectual youths in an era on the road to fighting for love and independence of human nature. Lu Yin is also good at writing prose and essays. This book is the complete collection of Lu Yin's classic works, including "Flame", "Old Friend on the Seaside", "Lishi's Diary", "Ivory Ring" and many other classic works and many essays and essays.

"I" and Jian, who are living in Japan, are looking forward to the arrival of new neighbors, Mr. And Mrs. Ke. Mr. Ke had a fierce appearance and soon became violent to his wife. After "I" and Jian intervened to stop her, they learned a lot about the whole story: Mrs. Ke had resisted an arranged marriage and went to Japan to study, but was deceived by Mr. Ke into a private life. She was abused by him immediately after the marriage, lost her first child, and could not escape the beatings even if she became pregnant again. "I" encouraged her to fight for her own happiness. Although she planned to join her relatives and friends in Kyoto, she compromised due to Mr. Ke's negotiation and the persuasion of others, and ultimately failed to leave. Mrs. Ke's timidity is not a simple character flaw, it is also the real dilemma of some women after the May Fourth Movement - even if they have a sense of independence, they are still difficult to break free from the remnants of feudalism, survival pressure and traditional concepts. Lu Yin uses this character to express his deep compassion for the fate of women. This book also includes two articles: "A Writer" and "Ode to Summer". All are masterpieces of Lu Yin.

"The Autumn Wind and Autumn Rain Are Sorrowful" is a short story written by Lu Yin with the Revolution of 1911 as the background. It shows the fate of individuals in the tide of the times through a female perspective. "A Glimpse of Willow Island" reveals the shady story of Japan's prostitution industry in a cold and stern way. Under the surface of extravagance and extravagance, there is the mental decay of women who have been reduced to commodities. "Thoughts of Autumn in a Foreign Country" describes that in the fragrance of osmanthus in Inokashira Park, the wanderers feel sad when they see things, and the exotic autumn scenery triggers the thoughts of home and country. "Spring Light Outside the Window" is set in a prison-like missionary school. The girl glimpses the blooming Phalaenopsis from the cellar window, fighting the coldness of reality with her broken dreams. In the folds of turbulent times, the awakening and hesitation of modern women are everywhere. The sorrows of spring and the hatreds of autumn eventually become the fireflies that illuminate the dark corners of history.

"Sakura Tree Head" takes the emotional entanglement between a young man studying in Japan and a Japanese girl as the starting point, revealing the objectified living conditions of Japanese women after the Meiji Restoration. "Bathing" uses the sensory impact of exotic bathing scenes to compare the differences in body concepts between China and the West, and reflects on the distorted aesthetic alienation under the discipline of ethics; "The Martyr's Wife" uses the tragic life of Huanghuagang's widow as a mirror to interrogate the struggle of human nature under the shackles of "loyalty". The three works constitute a multi-prism of modern women's awakening: there is not only the loss of identity in a cross-cultural context, but also the torn confrontation between traditional ethics and modern consciousness.

"Yunluo Girl" and "Lishi's Diary" are two classic works by Lu Yin that profoundly reveal the spiritual plight of young people during the May Fourth Movement. "Yunluo Girl" depicts the tragic emotional tug-of-war between Yunluo and Ling Jun in a delicate way. "Lishi's Diary" opens the spiritual wounds of female awakenings in the form of letters and diaries. Lu Yin writes in a poetic style about the pain of awakening people - when individuals break away from the shackles of traditional ethics, they find it difficult to move forward in the mud of reality.

"I Like This World, and I Like You" - a collection of classic prose and novels written by Lu Yin. Some of these works reflect the anguish of young people unwilling to live and die in a dream, some reflect the wandering and sentimentality of intellectual women in the emotional world, and some reflect the existential confusion faced by women in dark societies. Through these works, we can find traces of Lu Yin's "playing with the world" and the courage of "flying into a flame". At the same time, we can also hear the complaints and lamentations of a woman struggling under the grinding wheels of the times.

Lu Yin is as famous as Bing Xin and is known as "a talented woman of a generation". Mr. Mao Dun even called her "a child of the May Fourth Movement". Whether it is prose or novels, Lu Yin vents and states his inner feelings directly. The writing style is clear and direct, creating a sad and moving artistic conception. This book selects Lu Yin's novels, essays, poems, love letters, and essays, all of which are more representative of Lu Yin's works. Her writing tastes and thinks about the ups and downs of modern women's life, and describes their joys and sorrows with her delicate, sentimental and straightforward pen and ink. She also expresses her inner sorrow and sorrow!

Orange fire clouds enveloped the bustling city of Tokyo, and the sun, like a blazing flame, always visited my house from morning to dusk; and my fragile nerves were like fireflies in the forest. They loved the melancholy green onions and were afraid of the too powerful sunlight. As long as the sun came to rule the world, I would become a winter insect, lifeless. At this time, only irritability, fatigue, and boredom occupied my entire consciousness, and I never saw the waves of inspiration rippling like spring waves... Ha! Moans under pressure occasionally broke the dull dullness.

Luyin, like a brilliant star, shines in the dark night of old China. Its brilliance is immortal, and her position in the history of new Chinese literature will last forever. Lu Yin, who only had a creative career of thirteen or four years, is a child of the times and has left us eleven works. This is not only the wealth of Chinese new literature, but also a lens for us to understand that era. Time flies, Lu Yin's unique personality charm is still shining brightly, and her works are still fascinating!

This book is Lu Yin's famous and representative work. The protagonist Lusha in the book is her personal portrayal. Readers who like Lu Yin's works, this book is worth reading. Lusha and her classmates and friends were young intellectual women with progressive ideas. Inspired by the spirit of the "May Fourth Movement", they had a strong desire to oppose feudal ethics and pursue women's liberation and freedom of love. The limitations of the times, the impact of old and new ideas, and the huge gap between ideals and reality have caused these awakened intellectual women to be enveloped in "the anguish of life" and "the anguish of love", struggling between reason and emotion. Although the characters in this book have different situations, experiences and fates, they share the same misfortune. This also reflects the depression and hesitation of some intellectual young women in the "May Fourth Movement" era.

Lu Yin's works have a strong autonarrative flavor, mostly based on his own experiences and those of his friends, and are comparable to the works of Yu Dafu of the same period. This book is a collection of Lu Yin's novels, including the famous "Old Friend on the Seaside", "Ivory Ring" and "A Writer". These classic articles are filled with sentimental emotions, and they often use letters and diaries to directly express the feelings of the characters, truly reflecting the ideological status and changes of the intellectuals at that time.

The people on this lonely boat - there are proud people looking for spring, there are wandering returning guests - the sound of the oars is mixed with the murmur of joy and the sigh of sadness. Ruan Jun, who was holding the helm, was identifying the direction of the lone boat in the clear light, and Sen was helping to paddle. At this time, they indeed had a great mission, which could make people safe or drown them in the abyss of death. Sen worked hard to pull away the tangled algae, and the boat had reached the middle of the river. At this time, the moon was white and clear, and the silver waves and snow waves stirred up the excitement of the sand. She hugged the side of the boat and sang: "Ten miles of the Milky Way are piled with snow waves." How confused was she looking around? This lonely boat is swinging lightly towards the depths of the river. I'm afraid it will be too cold high up in the Yuyu Qiong Tower! ... I want to knock on the sky and ask where is the Palace of Lihen that separates humans from heaven? The fog locks the cloud seal! The fog locks the cloud seal! The endless hatred... When will it end!

"Yunou Love Letters Collection" is a collection of sixty-eight letters between Lu Yin and Li Weijian. Lu Yin said that among these sixty-eight letters, "not one article, not a sentence, not even a word was made."

"Manly" is Lu Yin's second collection of short stories written in 1927. It is a work that she considers "a work that revives from decadence." This collection is like her taking steps on the road of life. Although the steps are not high, they are by no means standing still or going in circles.

Listen to a sad hymn and talk about an old story from the Republic of China. The journey of ideological enlightenment and awakening of a generation of intellectual women. Lu Yin is one of the more prominent modern female writers. In early modern Chinese literature, she was as famous a talented literary woman as Bing Xin and Shi Pingmei. Her works are full of depressed and cynical sadness. She pursues the meaning of life, but cannot see the future of life. Her works were far ahead of her time, thus establishing her place in the history of modern literature. This book collects Lu Yin's classic prose works.

Literary masters are the pioneers of an era and masters of various literary forms. Their works originate from the era in which they lived, record the microcosm of social life in that era, contain the writer's own experience and thinking about society and life, influence the development process of society, and have eternal charm. They are the engineers of our soul, able to guide our life development and give us spiritual nourishment like chicken soup.

She is as famous as Bing Xin and Lin Huiyin, and is also regarded as a representative figure of female writers in the 1920s and 1930s. She and Li Weijian composed the "shocking" love affair of the Republic of China. The writing style is delicate and multi-feeling, and his style is comparable to that of Yu Dafu. "It's not worth living up to the world" is the work of a generation of talented women who read about life in hiding. In the era that Lu Yin lives in, it is not easy to live, let alone live according to one's heart. For many people, it is simply a luxury, but Lu Yin did it. Lu Yin had two marriages, each of which is shocking to the world now. However, for Lu Yin, that was just her true temperament... She once said: "I wanted to play with the world, but the world played with me." It can be seen that the life of this casual and straightforward woman also has helplessness and sadness. Lu Yin was also one of the few women who had a clear understanding of the society at that time. Many of her works reflected the "blood and tears" of that time. Reading Lu Yin's prose means that you can understand the world with her and live in the present and be yourself!

This book is a collection of Lu Yin's novels. The main works included are: Father, Youxian, After Victory, Professor Qin's Failure, Send a Lonely Bird to the End of the World, The Tide of the Spiritual Sea to Sister Mei, Loneliness, Lantian's Confessions, Where is the Return, Rainy Night, and Miss Yunluo.

This book collects two popular novels "Old Friend on the Seashore" and "Ivory Ring" by Lu Yin, a talented woman from the Republic of China. "Old Friend on the Seaside" describes the lives and emotions of five young women including Lusha, as if made up of countless tears of a sentimental woman, and has great appeal. "Ivory Ring" is a novel based on the love between Shi Pingmei and Gao Junyu. It is beautiful, touching, and at the same time very tragic. These two novels, filled with sentimental emotions, often use letters and diaries to reveal the characters' feelings, truly reflecting the ideological status and changes of the intellectuals at that time.

"Guiyan" is filled with the extreme sadness and heavy mood of Lu Yin, who has lost her husband and is lonely and helpless. Lu Yin uses the mouth of the heroine Ren Jing to describe her painful struggle between internal forces (inner emotional needs, personality liberation, etc.) And external forces (social norms, public opinion, ethics, etc.). "Guiyan" marks the transformation of Lu Yin's thoughts and life. Her outlook on life began to shift from extreme sadness to passionate pursuit. However, on the other hand, she did not dare to break the barriers of ethics, so her emotions were tangled. Her contradictions, sorrow and helplessness all reveal the hard struggle between return and break away. Lu Yin wanders between love and reason, old love and new love, sadness and happiness.

This book is a collection of Lu Yin's prose, including Lu Yin's representative prose works such as "Tokyo Essays", "The Day Before Leaving Tokyo", "Literature and Revolution", etc. The selected chapters focus on lyricism and narrative; the themes range from society and life to separation, flowers and plants; the style is both vigorous and hearty, but also euphemistic, implicit, broad-based, and inclusive. Her works have a strong self-narrative color, her language is fluent, natural, and true, and her slender yet hearty prose works are not only a valuable asset of Chinese new literature, but also a lens for us to understand that era. Through this book, readers can better understand Lu Yin's mental journey as a famous modern female writer in my country and understand her literary creation achievements.

"A Wisp of Sorrow Pays to Zhenghong" is a letter written by Yunyin to her friend Qiang. The article describes her experience of going to Taoranting in the rain on a rainy day. In the letter, she used this journey to reminisce about the past with her late friend Han five or six years ago, and compared her own sadness, longing, and frowning experiences, thus expressing her deep nostalgia for her old friend, her helplessness about her fate, and her sense of depression at being unable to express her grief happily. Another article, "I Hope Autumn Will Always Stay in the World," overturns people's traditional impression of autumn's desolation, viewing it as a season rich in color and full of lively spirit, enough to awaken a numb mind. "The Last Destiny" takes the disillusionment with marriage and love as its theme and explores the confusion and helplessness in life. It believes that love is like a "magic lantern", which is gorgeous when viewed from a distance but boring when viewed up close. "Coffee Shop" and "Temple Fair" express the author's observations and thoughts on modern society and human hearts by depicting scenes of urban life and traditional beliefs. Several articles are written with delicate writing and sincere emotions, revealing Lu Yin's inner world and struggles as a female writer during the "May Fourth Movement" period.

"Someone's Sorrow" unfolds in the form of letters. The protagonist Yaxia reveals her life trajectory and mental dilemma through many letters to her friend KY: Influenced by the concept of "playing the world", she suffered from insomnia and illness due to her uncle's entanglement. She was exposed to religion when she was hospitalized but did not find relief; she went to Japan to seek "light", but witnessed human intolerance, class oppression and hypocritical peace. Weiyi even died of her illness. In the end, in pain and confusion about the true meaning of life, Yaxia threw himself into a lake in Hangzhou. The work draws on the tragedy of Yaxia to outline the struggle of intellectual women after the May 4th Movement between tradition and modernity. It reveals the pain of repeatedly hitting a wall in their pursuit of spiritual solutions. It is the author's inquiry into the nature of human nature and the meaning of life, and illuminates the spiritual dilemma and anxiety of the times among a generation of intellectuals.

"To Old Friend in Yanbei" is an epistolary novel, which collects the author's letters to friends far away, and sincerely records her journey from pain and confusion to her gradual recovery. The writing is delicate and full of melancholy and sentimental tone, reflecting the author's deep thinking after experiencing a series of life changes such as the death of a loved one. This collection also includes several articles such as "The Glory of Life", "The Drunk Queen", and "Under the Leifeng Pagoda", which jointly and jointly depict how sorrow can become a kind of power. And how to find the meaning of life and the glory of life in the baptism of pain and sorrow.

The novel "Manli" begins with a dialogue between "I" (Sister Sha) and my friend Tong Fen, which leads to the story of Manli. Manli is an innocent and enthusiastic patriotic girl who blindly joins a certain party in order to realize her ideal of "sacrifice everything for the justice of the country". However, after personally participating in revolutionary work, she witnessed the chaos, corruption and intrigue within the party. The disillusionment of her ideals caused her to suffer a mental breakdown and was admitted to the hospital. She confessed her failures and regrets in her diary. Through Manli's experience, the novel reveals the difficulties and disillusionment faced by passionate young people in the pursuit of their ideals under the social background of that time. The novel "The Landlord" depicts the experience of "I" (an urban intellectual) getting along with a simple and kind-hearted landlady and her family during summer vacation. By describing the landlord's diligence and contentment and the rural people who "only care about their conscience", it contrasts the hypocrisy and worldliness of the city. The story of the "Miss Cave" told by the landlady also satirizes the collapse of superstition and reflects the wavering of traditional concepts in the changing times. "To the Old Owner of the Plum Nest" is a letter written to "my" friend "the old owner of the Plum Nest". The letters express a cherished friendship and hope despite seeing the world's "big flaws." The three novels jointly explore the conflict between ideal and reality, the confusion of the spiritual world and the pursuit of pure beauty.

This book selects several representative works from Lu Yin's short creative career. Among them, "Old Friend on the Seaside" describes the lives and emotions of five young women, including Lusha, in a letter-filled style. "The Ivory Ring" is a peak of Lu Yin's creation. The novel is based on her close friend Shi Pingmei, who is also a famous female writer. The story is real and touching, and the writing style is sad and beautiful. It is a rare masterpiece of love novels.

"Can Your Soul Be Sold", from the perspective of a female worker named He Gu, reveals the oppression of workers' spirit and humanity by capitalist factories. The novel passes through He Gu's question - can the soul be sold? --Raising a profound social issue: Under material predicament, has individual spiritual and ideological freedom been alienated and commodified? Another included novel, "After Victory," explores the confusion and loss of highly educated intellectual women in marriage and family life. The novel uses Qiong Fang and Ping Zhi's daily life as clues, and through Qiong Fang's correspondence with her friends, it shows the huge gap between these women's ideals and reality. The novel profoundly reveals the difficulties faced by new women in the pursuit of personal happiness and self-worth realization in the Chinese social environment at that time.

"Lu Yin's Best Novels" collects 21 of Lu Yin's novels, including "Father", "Where is the Return", "The Haggard Pear Blossom", "The Postman" and other works.

"Diary of a Mistress" is Lu Yin's masterpiece, which depicts "my" passionate and desperate love for Zhong Qian with delicate brushstrokes. "I" knew that this relationship was not tolerated by the world, but I was willing to endure hardship and humiliation. The troubles and pains were no less than those of young Werther. Through "I"'s inner monologue and emotional struggle, the novel profoundly reveals women's complex psychology and helpless situation in love. It also reflects the social landscape of the May Fourth period and the difficult process of female consciousness awakening.

This book contains classic prose and novels written by Lu Yin. Some of these works reflect the anguish of young people unwilling to live and die in a dream, some reflect the wandering and sentimentality of intellectual women in the emotional world, and some reflect the existential confusion faced by women in dark societies. Through these works, we can find traces of Lu Yin's "playing with the world" and see how she "played with fire". At the same time, we can also hear the complaints and lamentations of a woman struggling under the grinding wheels of the times. After reading the whole book, our souls will rise to a refined poetic realm without knowing it, and eventually we will work hard like her and move towards the great direction.