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Anthology of Song Dynasty Poetry
Literature宋代诗歌论集
Lu Xiaohuan
"Poetry and Poetry" focuses on the parallel and cross-interaction between the similarities and differences between the two genres; "Poetry and Guqin" explores the degree of poets' understanding and mastery of instrumental music and the relationship between poetry and music; "Poetry and Overseas" explores the vision and foreign awareness of poets in the Song Dynasty; "Singing Poetry" focuses on the dialogue and communication between poets and how singing and singing poetry is multi-layered Showing multi-faceted and deep cultural connotations; "Ouyang Xiu Research" and "Lu You Research" try to continuously read the life attitude and spiritual temperament of the two poets in European and Lu poetry, and use this to understand the similarities and differences between the Northern Song Dynasty and Southern Song poets; "Poetry Theory" wants to examine how the Song people consciously constructed Song tunes and how others, such as the Qing people, viewed Song tunes. "Research on Shao Yong and Fan Chengda" and "Two Outer Chapters" were written on a whim, with occasional insights: there are real feelings about Shao Yong's joyful chants and Fan Chengda's compassionate feelings, a close reading of the aesthetic value of internal and external ritual functions, and an on-site inspection of folk beliefs in southwest China.
"Poetry and Poetry" focuses on the parallel and cross-interaction between the similarities and differences between the two genres; "Poetry and Guqin" explores the degree of poets' understanding and mastery of instrumental music and the relationship between poetry and music; "Poetry and Overseas" explores the vision and foreign awareness of poets in the Song Dynasty; "Singing Poetry" focuses on the dialogue and communication between poets and how singing and singing poetry is multi-layered Showing multi-faceted and deep cultural connotations; "Ouyang Xiu Research" and "Lu You Research" try to continuously read the life attitude and spiritual temperament of the two poets in European and Lu poetry, and use this to understand the similarities and differences between the Northern Song Dynasty and Southern Song poets; "Poetry Theory" wants to examine how the Song people consciously constructed Song tunes and how others, such as the Qing people, viewed Song tunes. "Research on Shao Yong and Fan Chengda" and "Two Outer Chapters" were written on a whim, with occasional insights: there are real feelings about Shao Yong's joyful chants and Fan Chengda's compassionate feelings, a close reading of the aesthetic value of internal and external ritual functions, and an on-site inspection of folk beliefs in southwest China.