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This book selects and analyzes the masterpieces of thirteen poets from the Shunzhi period to the Daoguang period of the Qing Dynasty. Nalan Xingde who "doesn't shy away from the ice and snow to keep you warm", Zhang Huiyan who "looks lonely outside the setting sun and is filled with sadness", Gong Zizhen who "flowers bloom at the same time as the spring twilight", and Jiang Chunlin who "drops tears into the pipa" are the focus of this book. The author uses elegant and profound language to interpret the love and romance of the Qing Dynasty poets, fully demonstrating that the Qing Dynasty poems captivated the city and the country and were not inferior to the splendor of the Song Dynasty. Read Qingci and learn about the legendary lives of the thirteen poets from Shunzhi to Daoguang who are the most temperamental, talented, unique and whom you most want to know about.

This book selects and analyzes the masterpieces of many poets from the Shunzhi period to the Daoguang period of the Qing Dynasty. Some chapters are written in the form of novels. Nalan Xingde who "does not shy away from the ice and snow for your love", Zhang Huiyan who "looks lonely outside the setting sun, and is filled with sorrow", Gong Zizhen who "flowers bloom at the same time as the spring twilight", Jiang Chunlin who "tears into the pipa" are the focus of this volume. The other authors also have great personalities and characteristics. Among them are Li E, a reclusive scholar who "is still lying in the deep valley", Zheng Banqiao, an alternative painter who "ruined all his articles and wiped out his reputation", Hong Liangji, an imperial editor who was outspoken and angered Long Yan, and Huang Jingren, a poor poet who died in his prime and was famous in the mountains. In addition, Lin Zexu and Deng Tingzhen, two powerful figures in the political arena of the late Qing Dynasty, also appear on the stage in this volume of essays, showing off their lyrical skills. What is particularly worth mentioning is that the essays in this volume outline the portraits of three female poets. They are He Shuangqing, a farmer's wife, Wu Zao, a businessman, and Gu Chun, a princess with a mysterious life experience from the Taiping Lake. Three talented women perform three plays. Although there is a huge gap in their status and circumstances, their elegant and noble thoughts and writing styles have an indistinguishable charm.

The title of this book is "Wish to Win Liu Qi's Heart", but it is not a book that only talks about Liu Yong, but uses "Liu Qi" to refer to poets all over the world. Although the length of poems selected is indeed Liu Yong's, there are a total of 34 poems selected in the book, and more than 20 of Liu Yong's poems are selected. Thinking back to the prime of the Northern Song Dynasty, when Tokyo was the famous capital, everyone loved Liu Qilang and every family recited Qi Qing's poems. "I don't want to be called by the king, but I want to be called by Liu Qiming; I don't want a thousand golds, but I want to win Liu Qi's heart; I don't want to see gods, but I want to know Liu Qi's face." How lucky is Liu Qi to be born in this era, and how lucky is this era to have such a genius. Liu Qi is the first professional poet writer in history, but the other poets in this book are different from him. Kou Zhun, Chen Yaozuo, and Fan Zhongyan, these three poets have all entered the cabinet to pay homage to the prime minister. A powerful political figure can write small lyrics with all the grace and grace. This is true - only you can't think of it, but he can't do it.

This book is a unique work of appreciation of Song poetry, carefully selecting the best works handed down from generation to generation by five poets of the Song Dynasty. Among them, Yan Shu, the "prime minister's poet" who "brings a glass of wine with a new song", Ouyang Xiu, one of the "Eight Great Masters of the Tang and Song Dynasties" who "makes the courtyard a little deeper", and Song Qi, the "red apricot minister" who "has a cold dawn outside the green poplar smoke, and a bustling spring on the red apricot branches", are the focus of the writing of this book. The author uses elegant and profound language to interpret the romance and romance of the poets of the Song Dynasty, and integrates his own life experience and unique insights into it. It is full of interest to read and fully demonstrates the peerless elegance and unique style of the Song Dynasty poems that captivated the city and the country.