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俄罗斯文学（1760—2010）感悟录
Liu Yading
This book contains the author's papers published in publications such as "Foreign Literature Review", "Foreign Literature Research", "Russian Literature and Art", "Russian Language Teaching in China", "Russian Studies", "Foreign Social Sciences", and "Bёшенский Bестник". Its research objects include the major Russian literary centers from the 18th to the 21st century (from Lomonosov, Pushkin, Dostoyevsky, and Tolstoy to the 20th century red literature, Sholokhov, Solzhenitsyn, and Putin as a producer of literary images and cultural texts), and Sino-Russian literature and cultural exchanges. Taking care of literature through dialogue is the basic research method that the author strives to adhere to. When discussing Russian literature in the 18th and 19th centuries, the relationship between Russian culture and Western European culture is the focus; in 20th century literature, the dialogue between central literature and peripheral literature reflects a variety of literary phenomena; the image of Confucius and the Russian translation of the "Book of Songs" are interpreted as the carrier of Sino-Russian cultural dialogue.
This book contains the author's papers published in publications such as "Foreign Literature Review", "Foreign Literature Research", "Russian Literature and Art", "Russian Language Teaching in China", "Russian Studies", "Foreign Social Sciences", and "Bёшенский Bестник". Its research objects include the major Russian literary centers from the 18th to the 21st century (from Lomonosov, Pushkin, Dostoyevsky, and Tolstoy to the 20th century red literature, Sholokhov, Solzhenitsyn, and Putin as a producer of literary images and cultural texts), and Sino-Russian literature and cultural exchanges. Taking care of literature through dialogue is the basic research method that the author strives to adhere to. When discussing Russian literature in the 18th and 19th centuries, the relationship between Russian culture and Western European culture is the focus; in 20th century literature, the dialogue between central literature and peripheral literature reflects a variety of literary phenomena; the image of Confucius and the Russian translation of the "Book of Songs" are interpreted as the carrier of Sino-Russian cultural dialogue.