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This book mainly studies the issue of "Lexiang" in the context of Confucian culture before the Tang Dynasty. "Lexiang" was a cultural phenomenon in the pre-Qin Dynasty. It was based on the extensive practice of rituals and music in the Zhou Dynasty. It was a large-scale comprehensive artistic image integrating poetry, music and dance. "Lexiang" expresses abstract etiquette and joy with the help of music poems, songs, and dances. The composition of "Music Image" is: harmony with cultural significance, poetry as a musical section, and grand dance. Symbolism is the most fundamental attribute of "Lexiang". The function of "Le Xiang" is divided into two aspects: internal and external. On the one hand, it is the external religious, political, religious, moral and ethical functions; on the other hand, it is internal, that is, the shaping function and aesthetic function of personal psyche.