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Literature观照
Liu Wenlong
"Guanzhao" is a collection of poems by the poet Liu Wenlong. The author uses such a big word to describe his collection of poems, which reflects the difference between his writing ambitions and those of other Jiangnan poets. He has embarked on a metaphysical path. A writer who has distanced himself from secular values must be pure; an author who is alert to the aesthetic tastes around him must be vast.
"Guanzhao" is a collection of poems by the poet Liu Wenlong. The author uses such a big word to describe his collection of poems, which reflects the difference between his writing ambitions and those of other Jiangnan poets. He has embarked on a metaphysical path. A writer who has distanced himself from secular values must be pure; an author who is alert to the aesthetic tastes around him must be vast.

The Sea of stars in My Heart
Literature我心中的星辰大海
Liu Wenlong
"The Stars and Sea in My Heart" is a collection of prose poems. The whole book is divided into five parts: "The Heartfelt Feeling at That Time", "Shadows of Flowers Under the Water", "Glass Light", "Spring Breeze Cut" and "The Sorrow of Oleander". The whole book uses a unique literary aesthetic perspective and uses vivid words to chase and sway in the garden of the Chinese language, depicting the splendor of the world, the sublimity of life, the purity of love and the frustrations of fate. Through long-term exploration and thinking, the author obtained the nourishment of the water of South Lake and the misty rain of Jiangnan from the vast land of Hangjiahu Plain, and consciously or unconsciously reflected it in every chapter and verse of the work, integrating his personal ideology, artistic sentiment and application of techniques. The full text contains both life experience and humanistic care, expressing the love for life, homeland and humanity.
"The Stars and Sea in My Heart" is a collection of prose poems. The whole book is divided into five parts: "The Heartfelt Feeling at That Time", "Shadows of Flowers Under the Water", "Glass Light", "Spring Breeze Cut" and "The Sorrow of Oleander". The whole book uses a unique literary aesthetic perspective and uses vivid words to chase and sway in the garden of the Chinese language, depicting the splendor of the world, the sublimity of life, the purity of love and the frustrations of fate. Through long-term exploration and thinking, the author obtained the nourishment of the water of South Lake and the misty rain of Jiangnan from the vast land of Hangjiahu Plain, and consciously or unconsciously reflected it in every chapter and verse of the work, integrating his personal ideology, artistic sentiment and application of techniques. The full text contains both life experience and humanistic care, expressing the love for life, homeland and humanity.