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Slow Bird
Literature慢鸟
Liu Jiemin
"Slow Bird" is a collection of poems written by the author over many years, divided into eight volumes. The collection of poems covers a wide range of topics, and the writing style is light and easy. It travels between reality, metaphor, speculation, memory, present and future. In the realm of imagination, it incorporates insights into all things in the world and transcendent logic in multiple conflicts, thus revealing the poetic flavor of individual survival and the customs of the times. The quality of the poems has the comprehensive consciousness and integrated creativity of the poets of the new century. The entire collection of poems presents the author's exploratory style of unstylized writing. This kind of writing is not an inspirational one of waiting for rare wisdom in a closed laboratory, nor is it a dogmatic one of desperate confrontation with writing itself in anxiety. He is committed to exploring the origin and new quality of Chinese poetry. He maintains a passion for rhetoric but at the same time remains alert and sensitive to the changing experience. On the one hand, this kind of attention makes the poem highlight a changing clue of the rich relationship between objects and people; on the other hand, it wraps the novelty of creation in the dense atmosphere of context, so that the "poetic heart" can stand out in the full reading taste and juicy mirror world.
"Slow Bird" is a collection of poems written by the author over many years, divided into eight volumes. The collection of poems covers a wide range of topics, and the writing style is light and easy. It travels between reality, metaphor, speculation, memory, present and future. In the realm of imagination, it incorporates insights into all things in the world and transcendent logic in multiple conflicts, thus revealing the poetic flavor of individual survival and the customs of the times. The quality of the poems has the comprehensive consciousness and integrated creativity of the poets of the new century. The entire collection of poems presents the author's exploratory style of unstylized writing. This kind of writing is not an inspirational one of waiting for rare wisdom in a closed laboratory, nor is it a dogmatic one of desperate confrontation with writing itself in anxiety. He is committed to exploring the origin and new quality of Chinese poetry. He maintains a passion for rhetoric but at the same time remains alert and sensitive to the changing experience. On the one hand, this kind of attention makes the poem highlight a changing clue of the rich relationship between objects and people; on the other hand, it wraps the novelty of creation in the dense atmosphere of context, so that the "poetic heart" can stand out in the full reading taste and juicy mirror world.