Library

The works include Jinggang Azalea Red, Blue and White, I Recite the Motherland, Hello Xiaoping, You are getting more and more beautiful, I am getting younger and younger, Enamel Teapot, There Was Such a Grand Wedding, Cheers to Jiangxi, The Land that Born and Raised Me, Nostalgia Like a Lake and other classic recitation poems.

I longed for the festive Ningdu because of the colorful eyes of a photographer. He visited Ningdu during festivals every year, and his eyes were filled with images of folk customs. What does Ningdu look like during the festival? From some photography works and the introduction of some fragments, I captured its charm and atmosphere.

The reason why the Feng Shui theory has been so popular in history shows that it embodies the relationship between heaven and humanity, nature and man-made to a certain extent, and is consistent with the Chinese values ​​​​and aesthetics of "the unity of nature and man" and being in harmony with nature. Historically, Jiangxi was one of the regions with the most ancestral temples in the country. There are still magnificent ancient ancestral halls scattered in the countryside today. The promotion of the custom of building ancestral temples and worshiping ancestors is also related to Zhu Xi and Xia Yan, two historical and cultural celebrities from Jiangxi. Historically, Jiangxi was a transit point for five northerners migrating south. It can be said that the long-standing clan culture is rooted here, but it radiates to a wider area. Since the ancestral hall building carries all the historical emotions and life ideals of a clan, as well as the patriarchal relationships that maintain emotions and support ideals, then the ancestral hall building itself is endowed with extremely important cultural significance. Therefore, to feel the architectural art and decorative art of the ancestral hall is to feel people's thoughts, feelings, beliefs, worship, and concepts that are inherited by blood. It is to feel the life history and spiritual history of many surnames with their own charms, and to reflect on the unique cultural demeanor, spiritual temperament, and spiritual history of our nation.

"Red Crime" is a contemporary Chinese novel. It mainly tells a red memory of blood and tears. It is a soulful record of crime and punishment, and interprets a legendary story of desire and redemption.

Looking at the lake from the dense forest, boats sail from one leaf to another. --Inscription, Cobra is the most shameless snake in the world. It probably wanted to be the sole owner of this lake beach, but it actually turned against him and bit Niu Zi hard. Niu Zi got to know this snake last year. As Niu Zi gets older, he talks more. He told it many stories, including the story of "Bermuda" on Poyang Lake, the story of Wucheng falling into the sea, and the story of Fuduchang in Pangshanyang, the story of the British setting up customs in Gutang, the story of the Japanese transport ship swallowed by the anchovy sperm... He also imitated Duchang's Yang Bajin, raised his eyelids, shook the deeply sunken eye sockets, rolled up the whites of his eyes, twitched the muscles on his cheekbones, and sang verses of the Drum Book. At that time, the lonely cobra was Niu Zi's loyal listener.

The Chinese nation has attached great importance to "rituals" since ancient times. Ceremonies are held on every important festival or occasion. The emperor worships heaven at the top, and the people worship ancestors at the bottom. Different worship ceremonies are held on different occasions and are still popular today. Liu Hua has been engaged in field investigation and theoretical exploration of folk art and folk customs for many years. He has not only discovered many materials, but also accumulated many writings. "Face of the Earth" tells the story of various folk festival rituals of praying for blessings, worshiping ancestors and worshiping gods. It takes us into the ceremony site to experience folk customs and beliefs in unique music and dance, and to discover the unique spiritual power of traditional culture.

This book takes the author's personal experience as the main line, and is roughly divided into several parts: "Stories", "Old Friends", "Foreign Lands", and "Off-Places". It combines narration and lyricism, the writing is fluent, it is polished but not overly complicated, it is good at understanding and can convey emotions in a controlled manner, and it can be classified as a broad cultural prose.

"Field" is a literary project created by Elephant Publishing House with the purpose of appreciation, research and collection. Wencong demonstrates the sincere feelings for the hometown of relatives and the deep emotion about life in the world in many aspects, bringing us closeness, aftertaste, and enlightenment, allowing us to feel the warmth, deepness, greenness and vastness of the power of words. The book "Field" in the "Nostalgia Collection" series has a total of 46 articles. The book mainly describes the humanities and natural features of Jiangxi, the author's second hometown. The author has lived in Jiangxi for many years, and the villages, fields, lakes, and folk customs there have all turned into bits of nostalgia, filling the author's heart. The author narrates what he sees, hears and feels in the article, quietly giving readers an immersive feeling.

This book is a new novel by the famous writer Liu Hua. In the form of oral fieldwork, the author vividly describes the unique folk customs rich in traditional cultural charm in Jinjiang Town, where "talented people fill the rivers and songs fill the lakes." By showing the fate of folk artists against the background of village culture, the author focuses on portraying the portraits of rural characters in folklore events, which more profoundly reflects the spiritual reality of the current countryside. It also vividly expresses the author's worries about "the countryside will be deserted", the collapse of faith, and the desolation of people's hearts, and his call to resist this reality.

The author uses the knowledge and wisdom of a scholar and the sensitivity and talent of a poet to explore the religious beliefs reflected in folk customs. Each village devoutly worships its own blessed Lord. As time passed, people even forgot the blessed Lord's surname. Yet the gods are still there. The gods still revel. But he was having a carnival for some reason. Therefore, the author hurriedly walked to villages to visit the blessed Lord. Because understanding them will help us deeply understand the spiritual world of the nation and help us fully understand the traditional culture of the nation. Some villages laughed and refused to answer. Some villages scratched their heads in confusion. Some villages are evasive. Today, few villagers know the name and origin of the village's blessed person. Perhaps, to people, it does not matter who the blessed lord is, what is important is that there should be such a Bodhisattva in everyone's heart - it is one of many gods, but a god unique to a village; many gods protect the world, but it devotes all its efforts to protecting a land; many Bodhisattvas and gods of Buddhism and Taoism live in seclusion in secluded mountains and forests far away from the world, but it clings to the village and breathes the fireworks of the world. In the sky of faith, it is the spiritual chief within reach of a village and has the closest emotional connection with the people in the village.

With the scholar's knowledge and wisdom and the poet's sensitivity and talent, the author explores the rich history and humanistic connotations of the ancient village, appreciates the thoughts and emotions embedded in every stone and tree, and thereby gains insight into the cultural characteristics and spiritual history of a region or even a nation. The profound accumulation of traditional culture, the historical situation of the Wu and Chu Dynasties and the migration of northerners to the south, and the prosperous life brought about by the rise of industry and commerce after the Ming and Qing Dynasties have created a rich and colorful Jiangxi ancient village architectural art that reflects multicultural characteristics. "The Abode of the Soul" strives to lead readers to appreciate architecture, imagine history, and inspire readers to appreciate the aesthetic initiative of ancient village architecture in the form of prose.