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"Zhou Nan" and "Zhao Nan" (referred to as "Er Nan") in the "Book of Songs" are the most important content of "national style" in the "Book of Songs" and the most controversial part in the study of "The Book of Songs". Although the previous research has achieved some results, it is not macroscopic and systematic enough. Moreover, the data is relatively scattered and requires further in-depth research. This book uses literary geography and literary and historical textual research methods to analyze the name, region and era of "Er South" in the Book of Songs from a multidisciplinary perspective, combined with local literature and historical materials; sort out the content, characteristics and research value of "Er South" research from pre-Qin to modern times; explore the cultural evolution of "Er South" poetry, and analyze the intersection and influence of Chu culture and Zhou Wenhua in the Han River Basin. Combining the specific works of "Er Nan", this paper analyzes the relationship between "Er Nan" and the Han River Basin from the perspective of marriage and love culture, sacrificial culture, animal and plant culture, reveals the regional cultural characteristics of "Er Nan" in the Book of Songs, and analyzes the aesthetic characteristics of "Er Nan" and the poetry of the Han River Basin. This book also combines the content of "The Book of Songs", from folklore to historical relics, and selects Bao Si, Yin Jifu, Zhongshanfu, Zhao Bohu, etc. Who had an important influence in the Han River Basin for research. Explore the hometown of Bao Si, trace the traces of Yin Jifu and the Book of Songs, comment on the historical significance of Zhongshanfu and Zhao Bohu in opening up the southern frontier of the Zhou Dynasty, and analyze the inheritance of folk songs from the Han River Basin to the folk songs of the Book of Songs.