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As a wilderness survival blogger, Su Ke accidentally traveled to the primitive era and found that he had the ability to shuttle between the primitive world and the real world. But what he didn't expect was that this primitive era was a little different from what he thought? The original Cyclops moved the island just to build a fortress for his tribe that could withstand the dragon's attack. Under the sea of ​​​​10,000 meters, Kraken fell into a deep sleep. The moment he woke up, he set off a huge wave of 100 meters high. Hydras wreaked havoc in the swamp, devouring all living creatures around them. In this chaotic primitive era, Su Ke gathered believers, activated totems, inspired blood, and became a god. It wasn't until he successfully activated the totem that he discovered that some symbols of the primitive era also appeared in the real world... ... Many years later: Su Ke killed the Nine-Headed Insect and made the Kraken into the largest Teppanyaki. The giants became the security guards of his tribe... Recalling the starting point of his fortune, Su Ke said silently, "I believed in becoming a god in the primitive era, starting from the destruction of Luoxin."

This book contains twenty-four critical works written by Ling Yue. The author inherits the critical tradition from Trilling and Wilson, pays attention to literary works that are closely related to social reality, and explores the relationship between literature and morality. This book can be regarded as a cultural profile of the first 20 years of this century. It is also Ling Yue's profound thinking on literature as an intellectual with a strong sense of responsibility. The book is divided into three volumes. The first volume, "Literature from a Moral Perspective," is mainly about novel reviews, including the work "The Anxiety of the Goalkeeper When Facing the Penalty Kick" by the recent Nobel Prize winner Peter Handke, as well as classics such as "Lord of the Flies"; The second volume of "The Immortal Soul of Russia" focuses on the poets of the Silver Age, including the past events of Akhmatova, Brodsky, Tsvetaeva and others, Berlin's interactions with these poets, and his comments on writers such as Auden and Ciolan. The third volume is mainly poetry criticism, including criticism of new trends in contemporary poetry such as Celan, Dickinson, Masters, Chinese poets Lan Lan, Huang Canran, Yu Xiuhua, and workers' poetry.

Because of my family's mission, I became the messenger of the underworld, but in order to achieve more balance between the yin and yang world, this dual identity has brought a different exciting color to my life.

On the first day of school, the life of the duke's daughter Ariana is completely turned upside down - she is no ordinary witch apprentice, but a legendary witch with unlimited magical power. The problem is, she can't control this power from heaven at all, and even the most basic spell can turn into a small disaster. When she was in the most embarrassing situation, she met Rosalin, the most maverick rabbit spirit in the college. This garden ranger is free-spirited and full of energy, and firmly believes that the best cure for the witch's loss of control is not penance, but... Growing radishes? So, the style of painting became: While others were studying ancient books in the secret room, she was wielding a shovel in the vegetable garden; While others are practicing advanced spells, she is learning to "dialogue" with carrots. When everyone was expecting the witch to save the world, Ariana discovered that the first thing she had to learn was how to save her schoolwork that was on the verge of collapse and unlock the ancient secrets hidden deep in her bloodline under the "carrot temptation" of her best friend.

When he woke up, he took the system and traveled through time to become the villain's wife and children. The system became her son. The difference between facing reality and facing fiction is. In the novel: I love this villain husband so much! In reality: I am so scared of this villain husband! When watching a play, I feel appreciation, but when I enter the play, I feel sad. In the morning, she pretends to be a lady and sends the villain husband off to do evil; at night, she transforms into a witch and encourages the villain husband to bloom. What should I do if my villain husband starts off like a scumbag? Waiting online, it's very urgent!

Life starts again, hope is right in front of you, in the spring with brilliant cherry blossoms, she is reincarnated from a thousand-year-old witch into a cute girl. Her mother was widowed during pregnancy, and her younger brother is young and ignorant. She shoulders the burden of the family, from nothing to the richest man in the city; from milk balls Son, to the youngest strong woman; how to make a single-parent family happy, how to turn a bad hand into a king, of course wealth must be created with both hands, etc., Can that guy from the second dimension stay away from her and agree not to fall in love...