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Crane Feather Penngling
Science Fiction鹤羽鹏翎
Lin Xiaozhu
Come to Yuewen's website to read more of my works
Come to Yuewen's website to read more of my works

那个男人明明超强却不出新手村
Lin Xiaozhu
In the place where countless famous adventurers made their fortunes, there is a legendary figure in Hawke Town. He is obviously super strong but he will not leave Hawke Town no matter what. In order to find out the reason, under the king's secret order, countless adventurers and assassins went to Hawke Town. Since then, more and more strangers have disappeared in the underground city of Hawke Town...
In the place where countless famous adventurers made their fortunes, there is a legendary figure in Hawke Town. He is obviously super strong but he will not leave Hawke Town no matter what. In order to find out the reason, under the king's secret order, countless adventurers and assassins went to Hawke Town. Since then, more and more strangers have disappeared in the underground city of Hawke Town...

请不要叫我林小猪
Lin Xiaozhu
Jinling Academy of Fine Arts: Lin Xiaozhu from the Department of Traditional Chinese Painting was chased by his childhood sweetheart Qiao Moxi, calling him "Lin Xiaozhu". Fang Xueqing, a genius in ancient painting restoration, was on hand to break up the fight. The seemingly ordinary fight between the three of them is actually a living projection of the fate of the Northern Song Dynasty hermit Lin Bu and "Plum Wife and Crane" - Fang Xueqing's plum blossom birthmark on her wrist will heat up due to Lin Xiaozhu's birthmark, and Qiao Moxi's crane feather tattoo will ooze blood in front of the "Picture of Plum and Crane". When the call for submissions for the National Youth Art Exhibition started, weird art incidents broke out one after another: the copy of Lin Xiaozhu's "Little Plum Blossoms in the Mountain Garden" seeped out of the snow in Gushan Mountain in the Northern Song Dynasty, Qiao Moxi's sculpture knife carved Lin Bu's epitaph, and a childhood photo of the three of them appeared on the mezzanine of an ancient painting restored by Fang Xueqing. In order to break the reincarnation curse of "seclusion is safety", the three used paintbrushes as weapons to launch a counterattack: planting thousand-year-old plum blossoms into circuit boards, and using crane ashes to prepare oil paints. "What we want to do is not to pass down famous paintings, but to blow up all the historical templates that trap young people." This youth uprising that started with a dispute over nicknames eventually became the wildest god-killing record in the history of art - the blood and blood of hermits and the paint of Generation Z exploded at this moment, creating a new path for non-officials and non-hidden people.
Jinling Academy of Fine Arts: Lin Xiaozhu from the Department of Traditional Chinese Painting was chased by his childhood sweetheart Qiao Moxi, calling him "Lin Xiaozhu". Fang Xueqing, a genius in ancient painting restoration, was on hand to break up the fight. The seemingly ordinary fight between the three of them is actually a living projection of the fate of the Northern Song Dynasty hermit Lin Bu and "Plum Wife and Crane" - Fang Xueqing's plum blossom birthmark on her wrist will heat up due to Lin Xiaozhu's birthmark, and Qiao Moxi's crane feather tattoo will ooze blood in front of the "Picture of Plum and Crane". When the call for submissions for the National Youth Art Exhibition started, weird art incidents broke out one after another: the copy of Lin Xiaozhu's "Little Plum Blossoms in the Mountain Garden" seeped out of the snow in Gushan Mountain in the Northern Song Dynasty, Qiao Moxi's sculpture knife carved Lin Bu's epitaph, and a childhood photo of the three of them appeared on the mezzanine of an ancient painting restored by Fang Xueqing. In order to break the reincarnation curse of "seclusion is safety", the three used paintbrushes as weapons to launch a counterattack: planting thousand-year-old plum blossoms into circuit boards, and using crane ashes to prepare oil paints. "What we want to do is not to pass down famous paintings, but to blow up all the historical templates that trap young people." This youth uprising that started with a dispute over nicknames eventually became the wildest god-killing record in the history of art - the blood and blood of hermits and the paint of Generation Z exploded at this moment, creating a new path for non-officials and non-hidden people.