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A person with modern memory is reborn in a strange magical world, where there are not only orcs, elves, dwarves, dwarves, and goblins, but also love and hatred that he has never experienced in his previous life. Holding the magic wand in his hand, he may still have a lot of confusion in his heart, but he firmly believes that the magic of swallowing will guide him in the direction. And an epic picture of another world slowly unfolds before our eyes...

In the dark universe, only the flames of war are burning. When the dawn of the Emperor comes to the world again, the Empire will rise again. The laughter from the evil god of subspace echoed in the cold void, and only the candle lighting the front swayed in the wind and rain. Kalad raised his head and stared directly into the dawn. The fate has been determined a long time ago, but is it real? Can I change this damn fate and make everything go on the right track? This dramatic and uncertain factor made the four gods grin. They added weights to the scale one by one, hoping that this factor would bring them more jokes and fun. But at this time, Kalad wanted to commit suicide immediately. He cried and cried: "Ah? I have traveled through time? Ah? Why is this the Warhammer universe? Kill me!"

As the Emperor's personal attendant and the Archon of the Empire, Michael the Eternal slowly opened his eyes at the piercing siren, and an emerald-green planet appeared in front of him. Centuries ago, at the end of the Great Crusade, he was assigned to go to the extragalactic galaxy to preserve the fire of humanity. He discovered that the galaxy was full of aliens, as well as undiscovered technologies, and even civilizations left behind by human exploration and colonial fleets. But no matter what, now he just wants to spread the glory of the empire in this galaxy.

This is the first monograph to discuss the new overseas Chinese literature in Japan. This book examines the history of new overseas Chinese literature in Japan in a global context, explores its particularity, importance, and the need to fill in the gaps, and proposes a three-stage theory over the past thirty years. It has a novel perspective, detailed information, and the theory is derived from history. It is a comprehensive, systematic, and holistic research result that reflects the process and appearance. This book studies Japanese new overseas Chinese literature for thirty years (1990-2020), corresponding to (or connecting) thirty years of modern Chinese literature (1917-1949), and has innovative significance in filling the gap. In the context of globalization, Japanese new overseas Chinese writers have begun to explore the language and culture of foreign lands, from "nostalgia" to "crossing the border", from "anti-Japanese" to "knowing Japan". Different from the "immigration" characteristics of the West, Japanese Chinese writers have a living experience and writing mentality "between character and material sorrow". Its significance is not only the expansion of Chinese literature overseas, but the deepening or "growth" of Chinese literature itself overseas. What is more significant is that because these poems and essays grew up in Japan, a place where Chinese people's emotions are extremely entangled and pain is always fresh, they have a unique and heterogeneous aesthetic value.

Why did you just travel through time and space? Why did you still travel through time and space in the Warhammer world? Why do you prefer death over being an Astra Militarum leader? ! It's over now, I've become cannon fodder. I see mountains standing in the distance. I look closely to see where the mountains are. Isn't that a Titan? I was so heartbroken that a veteran muttered and slapped me in the head. He looked at me crying like a fart whose toes were stepped on. He cursed in confusion: "Hey, that recruit over there, what are you mumbling about? The enemy is coming, and you haven't prepared the flashlight in your hand yet, bah! Laser gun!"