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This book conducts in-depth research on six topics: the discipline construction of literary geography, literary landscape, travel writing style, "field research", literary maps, and the geographical differentiation of Chinese literature. The main points of this book include: The basic knowledge structure of literary geography consists of four major sections: principles of literary geography, history of literary geography, criticism of literary geography, and methodology of literary geography. The literary geographical landscape has the characteristics of spatial extension and must be intuitively externalized into concrete objects in reality. Literary geographical landscape does not ignore the expression of the time dimension, and even most of its aesthetic meaning and aesthetic value come from this. Travel writing is the most typical overlapping and intersecting field between literature and geography, and it is also the most worthy of study from the perspective of literary geography. Compared with other literary styles, travel prose has a closer and deeper affinity with "geography", "nature", "landscape", etc. In fact, the on-site research method is one of the most comprehensive and technical research methods among various methods in literary geography. It is also one of the most distinctive research methods in literary geography. It has huge development space and potential. There are still many key theoretical and practical issues that need to be resolved in the field of literary maps. Solving these problems requires the joint efforts of scholars from various disciplines and academic backgrounds to complete them as soon as possible. Chinese literary creation showed distinct regional characteristics in its initial stage. The changes and even interchanges between the literary center and the periphery are often intertwined with the issues of north-south and east-west.