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Trapped in Luoyang for half his life, he became the laughing stock of the world. He saw with his own eyes the destruction of his country and his family, the tragic death of his loyal ministers, the destruction of the Han Dynasty's century-old foundation, and he was left with nothing but endless regret for the rest of his life. Once upon a time, I dreamed of returning to the Three Kingdoms and returning to the eve of Wu Hou's Northern Expedition. Fusion of future memories Everyone in the world laughs at him as a cowardly mediocre leader and an incompetent puppet. But at this moment, he has already seen through the rise and fall of the world in fifty years! He is well aware of all the shortcomings of the Shu Han Dynasty, the hidden dangers in the court, and the fate of the heroes. In this life, he will never settle down in Bashu, and he will never sit still and wait for death! Save the devoted father-in-law and eliminate the internal troubles caused by traitors and sycophants in the court. Change the wrong path of the Northern Expedition, train unparalleled elite soldiers, cannibalize Cao Wei, and flatten Jiangdong!

When Zhao Rui was selected to enter the "Star Ring Game", he got the worst cards. Amidst the laughter of the audience, the system made a cold verdict - F-level talent [Memory Recall]: It can only play back the past three seconds. In this world where S-levels are everywhere and A-levels are inferior to dogs, he is not even qualified to be cannon fodder. But no one knew that those high gods forgot one thing. Memory can be modified. From the tampered Qin history on the bamboo slips of Afang Palace, to the humanoid monsters lurking in Chang'an City from all over the world; from the indistinguishable friends and foes in the Penglai Mirage, to the truth about the gods that have fallen for thousands of years in the Kunlun Ruins - twelve copies, twelve "doors" that have been sealed for thousands of years. And Zhao Rui discovered that this so-called "game" is just a screening of human civilization by the gods. They gave him an F grade, deciding that he only deserved to be eliminated. What he said back to them was...

Su Mo suffered from a strange disease since childhood. Whenever peach blossoms were in bloom, Su Mo would stare at them in a daze or suffer unbearable pain. Her parents took her to various major hospitals and doctors could not find out what disease she had. During a sketching class, the teacher asked him to sketch in the peach garden of the school. When Su Mo saw the colorful peach blossoms, he suddenly had a severe headache and fainted due to lack of energy... When Su Mo woke up, he found himself lying on the hospital bed. Su Mo's close friend Qin Ling learned about Su Mo's strange illness when he came to visit Su Mo on behalf of the whole class. Qin Ling suggested that she undergo hypnosis to find her lost memories. Qin Ling took Su Mo to the psychology department of the hospital where her father worked for a hypnosis session, which awakened her long-sealed past life memories. Su Mo's previous life was during the Spring and Autumn Period and the Warring States Period, when she was the princess of the Chen Kingdom - Gui Yan'er. Chu Gong's eyebrows were swept away, and he was speechless to the late spring. After all the hardships, death is the only option. Sadness will only give rest to my wife. During the Lantern Festival when I was eighteen years old, I met him by chance, and we fell in love from then on. Gradually, I found that I had fallen deeply in love with him. Three kings launched a war to get me. Am I a beauty and a disaster? Or is God playing a trick on me and making me the fuse of this war? Can I and the person I love be together forever? Wonderful tidbits: 1. Meng Lan, who was following me, reminded me in a low voice: "Princess..." Halfway through the words, I glared at her and whispered, "You call me 'Master' outside, don't call me Princess." Meng Lan nodded and said: "Yes, sir..." Meng Lan realized that she had called him wrong and quickly changed her words: "Yes, young master." Meng Lan continued: "Master, don't you think your current behavior is inappropriate?" I smiled and said, "I rarely leave the palace once, so what's the harm in losing my dignity once?" 2. The man asked: "What is the girl's name..." I smiled faintly: "My name is Tao Zi." The man was stunned for a long time without reacting. Meng Lan, who was standing next to me, smiled softly. After a long while, the man laughed dryly: "Girl, are you kidding me? You are so beautiful, and you look like you belong to a wealthy family. How could your parents give you such a vulgar name?" I pretended to be serious: "This is really the name my parents gave me. I don't know what the meaning is." I saw that the man was a little doubtful. I asked the man: "Sir, I don't know your name yet." The man smiled mysteriously and said, "My name is somewhat similar to yours. My name is Zhuzi." I was drinking tea when he said that. When he said his name, I spit out all the tea in my mouth. Meng Lan quickly took out the handkerchief she carried with her and wiped the water on my face and clothes. I asked Zhuzi: "Who named you? Why is it so weird?" Zhuzi said: "This is also the name given by my parents. As for the meaning, I don't know." I looked at him and saw that the expression on his face was very mysterious, and I saw that he was also lying to me. Even if we were cheating on each other, no one owed anything to the other, so I didn't argue with him.

The book "Collection of Literature and History of the Tang and Song Dynasties" is a collection of 30 papers published by Professor Li Yifei from the School of Humanities of Hunan University of Science and Technology in the past 40 years. It can be divided into the following parts: first, a textual research on the life stories of important writers in the Tang and Song Dynasties; It is an analysis of the works of some writers in the Tang and Song dynasties; the third is a comment on the literary characteristics of a certain historical stage in the Tang and Song dynasties; the fourth is an elaboration on the evolution of styles in the development process of literature in the Tang and Song dynasties; the fifth is an evaluation of the historical status of some writers in the Tang and Song dynasties in the development of literature. The author is particularly focused on elucidating new theories and correcting deviations of old theories, such as commenting on the characteristics and value of biographical literature of the Mid-Tang Dynasty and nostalgic poems of the Mid- to Late Tang Dynasty. He has written particularly extensively on Du Fu, Han Yu, Zhang Ji, Li Shangyin, Mei Yaochen, Qin Guan, Su Shi, and Fan Chengda, as well as on the collections of Tang Dynasty and Song Dynasty. This book is the academic essence of the author's life. It has solid documentation, rigorous textual research, and well-argued arguments. To a certain extent, it shows the literary style of the Tang and Song Dynasties, its position in the history of Chinese literature, and its important role in connecting the past and the future.